{"id":9531,"date":"2014-02-20T09:56:07","date_gmt":"2014-02-20T08:56:07","guid":{"rendered":"http:\/\/www.gezupftes.de\/?page_id=9531"},"modified":"2016-08-30T11:49:50","modified_gmt":"2016-08-30T10:49:50","slug":"mandolinenschule-timeline-als-tabelle","status":"publish","type":"page","link":"https:\/\/www.gezupftes.de\/?page_id=9531","title":{"rendered":"Zeitstrahl der Mandolinenschulen (als Tabelle)"},"content":{"rendered":"<p>Da meine Timelin der Mandolinenschulen bei\u00a0 xtimeline im Moment nicht mehr funktioniert habe ich die Tabelle der exportierten Daten hier zun\u00e4chst als HTML Tabelle eingef\u00fcgt. In der Zwischenzeit habe ich die Daten in meinen neuen Zeitstrahl \u00fcbernommen und bereits viele Erg\u00e4mzunegn vorgenommen. Ich habe bereits mehr als 250 Mandolinschulen und Schulen f\u00fcr verwandte Instrumente wie die Bandurria aus Spanien oder die Balalaika aufgenommen, die meisten davon mit Bild.<\/p>\n<p>Hier geht es zu den neuen Seiten auf meiner Website mandoisland.de<\/p>\n<ul>\n<li><a href=\"http:\/\/www.mandoisland.de\/mandolinenschulen-timeline.html\" target=\"_blank\">Timeline der Mandolinenschulen (\u00f6ffnet sich in einem neuen Fenster)<\/a><\/li>\n<li><a href=\"https:\/\/docs.google.com\/spreadsheet\/pub?key=0Alz8MigVGkzAdEU3bmktd2RINXF2a1NYRVptZWRTTUE&amp;output=html\" target=\"_blank\">Tabelle mit den Daten der Timeline (neues Fenster)<\/a><\/li>\n<\/ul>\n<p>Hier ein paar Bilder, damit die Werbung rechts die Tabelle nicht \u00fcberlagert \ud83d\ude09<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/moyers-method-_57.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9565\" data-permalink=\"https:\/\/www.gezupftes.de\/?attachment_id=9565\" data-orig-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/moyers-method-_57.jpg?fit=837%2C1250&amp;ssl=1\" data-orig-size=\"837,1250\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"moyers-method-$_57\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/moyers-method-_57.jpg?fit=200%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/moyers-method-_57.jpg?fit=685%2C1024&amp;ssl=1\" class=\"aligncenter size-medium wp-image-9565\" src=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/moyers-method-_57.jpg?resize=200%2C300\" alt=\"moyers-method-$_57\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/moyers-method-_57.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/moyers-method-_57.jpg?resize=685%2C1024&amp;ssl=1 685w, https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/moyers-method-_57.jpg?w=837&amp;ssl=1 837w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/methode-fontbonne-mandoline-1907-1908-_57.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9566\" data-permalink=\"https:\/\/www.gezupftes.de\/?attachment_id=9566\" 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data-large-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/methode-fontbonne-mandoline-1907-1908-_57.jpg?fit=698%2C1024&amp;ssl=1\" class=\"aligncenter size-medium wp-image-9566\" src=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/methode-fontbonne-mandoline-1907-1908-_57.jpg?resize=204%2C300\" alt=\"methode-fontbonne-mandoline-1907-1908-$_57\" width=\"204\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/methode-fontbonne-mandoline-1907-1908-_57.jpg?resize=204%2C300&amp;ssl=1 204w, https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/methode-fontbonne-mandoline-1907-1908-_57.jpg?resize=698%2C1024&amp;ssl=1 698w, https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/methode-fontbonne-mandoline-1907-1908-_57.jpg?w=1091&amp;ssl=1 1091w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/mandolinenschule-eaton-f3_145.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9567\" data-permalink=\"https:\/\/www.gezupftes.de\/?attachment_id=9567\" data-orig-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/mandolinenschule-eaton-f3_145.jpg?fit=2736%2C3648&amp;ssl=1\" data-orig-size=\"2736,3648\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"mandolinenschule-eaton-f3_145\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/mandolinenschule-eaton-f3_145.jpg?fit=225%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/mandolinenschule-eaton-f3_145.jpg?fit=768%2C1024&amp;ssl=1\" class=\"aligncenter size-medium wp-image-9567\" src=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/mandolinenschule-eaton-f3_145.jpg?resize=225%2C300\" alt=\"mandolinenschule-eaton-f3_145\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/mandolinenschule-eaton-f3_145.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/mandolinenschule-eaton-f3_145.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/mandolinenschule-eaton-f3_145.jpg?w=2000 2000w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/eureka-college-mandolin-club-1898.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9569\" data-permalink=\"https:\/\/www.gezupftes.de\/?attachment_id=9569\" data-orig-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/eureka-college-mandolin-club-1898.jpg?fit=843%2C686&amp;ssl=1\" data-orig-size=\"843,686\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"eureka-college-mandolin-club-1898\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/eureka-college-mandolin-club-1898.jpg?fit=300%2C244&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/eureka-college-mandolin-club-1898.jpg?fit=843%2C686&amp;ssl=1\" class=\"aligncenter size-medium wp-image-9569\" src=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/eureka-college-mandolin-club-1898.jpg?resize=300%2C244\" alt=\"eureka-college-mandolin-club-1898\" width=\"300\" height=\"244\" srcset=\"https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/eureka-college-mandolin-club-1898.jpg?resize=300%2C244&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.gezupftes.de\/wp-content\/uploads\/2014\/02\/eureka-college-mandolin-club-1898.jpg?w=843&amp;ssl=1 843w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h3>Schulen Timeline<\/h3>\n<table border=\"1\">\n<thead>\n<tr>\n<th title=\"Field #1\">TITLE<\/th>\n<th title=\"Field #2\">Year<\/th>\n<th title=\"Field #10\">DESCRIPTION<\/th>\n<th title=\"Field #11\">SOURCE<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Fran\u00e7ois de Chancy &#8211; Tablature de mandore &#8211; 1629<\/td>\n<td align=\"right\">1629<\/td>\n<td>The Tablature de mandore by Fran\u00e7ois de Chancy,<br \/>\npublished in 1629,<br \/>\nis the most refined repertory for this instrument. It contains six<br \/>\nsuites of dances and a series of brawls.<\/td>\n<td><a href=\"http:\/\/www.ensemble-gabriele-leone.org\/egl\/IMG\/html\/histomando_en.html\" target=\"_blank\">http:\/\/www.ensemble-gabriele-leone.org\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Giovanni Battista Gervasio; 1767<\/td>\n<td align=\"right\">1767<\/td>\n<td>La moderna scuola del<br \/>\nmandolino,parte primaGiovanni Battista Gervasio,ITALY 1767<\/td>\n<td><a href=\"http:\/\/homepage2.nifty.com\/motoi-lab\/textbook.html\" target=\"_blank\">http:\/\/homepage2.nifty.com\/motoi-lab\/textbook.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Gabriele Leone &#8211; M\u00e9thode raisonn\u00e9e for mandolin<\/td>\n<td align=\"right\">1768<\/td>\n<td>Gabriele Leone is probably one of the best. After he<br \/>\nmesmerized the<br \/>\nParisians playing mandolin sonatas at the \u00ab Concert Spirituel \u00bb, he<br \/>\nbecame for one season the manager of the director of the London Opera,<br \/>\nthen returned to Paris where he published his matchless M\u00e9thode<br \/>\nraisonn\u00e9e for mandolin in 1768.<\/td>\n<td><a href=\"http:\/\/www.ensemble-gabriele-leone.org\/egl\/IMG\/html\/histomando_en.html\" target=\"_blank\">http:\/\/www.ensemble-gabriele-leone.org\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Pierre (\u201cPietro\u201d) Denis &#8211; 1768<\/td>\n<td align=\"right\">1768<\/td>\n<td>French musicians like Pierre (\u201cPietro\u201d) Denis and Jean<br \/>\nFouquet<br \/>\n(\u201cFouchetti\u201d) learnt to play the mandolin with their Italian<br \/>\ncolleagues.Denis published his variations in his M\u00e9thode pour<br \/>\napprendre \u00e0 jouer de la mandoline sans Ma\u00eetre (method to learn how to<br \/>\nplay mandolin without a teacher ) in 1768.<\/td>\n<td><a href=\"http:\/\/www.ensemble-gabriele-leone.org\/egl\/IMG\/html\/histomando_en.html\" target=\"_blank\">http:\/\/www.ensemble-gabriele-leone.org\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Pietro Fouchetti; 1770<\/td>\n<td align=\"right\">1770<\/td>\n<td>M\u00e9thode pour apprendre facilement \u00e0 jouer de la<br \/>\nmandoline \u00e0 4 et \u00e0 6 cordesPietro Fouchetti(Jean Fouquet\/Giovanni Fouchetti)ITALY\u2192FRANCE?Sieber 1770<\/td>\n<td><a href=\"http:\/\/homepage2.nifty.com\/motoi-lab\/textbook.html\" target=\"_blank\">http:\/\/homepage2.nifty.com\/motoi-lab\/textbook.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Michel Corrette &#8211; Nouvelle Methode<\/td>\n<td align=\"right\">1772<\/td>\n<td>Michel CorretteNouvelle m\u00e9thode pour apprendre \u00e0 jouer en tr\u00e8s peu de temps de la<br \/>\nmandolinesee: The early mandolin &#8211; James Tyler,Paul Sparks p. 108see also: http:\/\/www.musicologie.org\/Biographies\/c\/corrette_michel.html<\/td>\n<td><a href=\"http:\/\/openlibrary.org\/books\/OL18325466M\/Nouvelle_m%C3%A9thode_pour_apprendre_%C3%A0_jouer_en_tr%C3%A8s_peu_de_temps_de_la_mandoline\">openlibrary<\/a><\/td>\n<\/tr>\n<tr>\n<td>Bortolazzi, Bartolomeo &#8211; Mandolinenschule<\/td>\n<td align=\"right\">1805<\/td>\n<td>Bartolomeo Bortolazzi,Anweisung die Mandoline von selbst zu lernen nebst einigen \u00dcbungsst\u00fcckenBortolazzi was a famous mandolin player and commposer around 1800<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/noten2013\/bortolazzi\/b-bortolazzi.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/noten2013\/bortolazzi\/b-bortolazzi.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Carmine de Laurentiis &#8211; Methodo per Mandolino<\/td>\n<td align=\"right\">1869<\/td>\n<td>Carmine de LaurentiisMethodo per MandolinoEdizioni Ricordi, 1869<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Branzoli, Giuseppe &#8211; Metodo teoretico-pratico per<\/td>\n<td align=\"right\">1875<\/td>\n<td>Giuseppe Branzoli (1845 &#8211; 1909)Metodo teoretico-pratico per MandolinoCarisch S.p.A. &#8211; Milanoerstmals erschienen 1875, pr\u00e4miert auf der Internationalen<br \/>\nMusikausstellung 1888und im Industrie Palais zu Paris 18902<br \/>\nB\u00e4nde, ich besitze nur Band 1 in der deutschen Ausgabe der Universal<br \/>\nEdition, Wien, und Band 2 in der dreisprachigen (ital.\/franz.\/engl.)<br \/>\nAusgabe von Carisch S.p.A. Milano<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Septimus Winner&#8217;s Method for the Spanish Mandolin<\/td>\n<td align=\"right\">1884<\/td>\n<td>One of my favorites (for strangeness rather than<br \/>\nusefulness) is<br \/>\nSeptimus Winner&#8217;s Method for the Spanish Mandolin. \u2026 So, I have<br \/>\nwondered if &#8222;Spanish&#8220; was a reference to the famous Spanish Students.My<br \/>\nWinner book is dated 1884 which would put it right after the the coming<br \/>\nto American of the Spanish students, so it may be quite possible that<br \/>\nthis is what the &#8222;Spanish&#8220; refers to.<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/forum\/archive\/index.php\/t-15410.html\" target=\"_blank\">http:\/\/www.mandolincafe.com\/forum\/archive\/index.php\/t-15410.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Cristofaro, Ferdinando de &#8211; M\u00e9thode de Mandoline<\/td>\n<td align=\"right\">1884<\/td>\n<td>F. de Christofaro (1846 &#8211; 1890)M\u00e9thode de MandolineHenry Lemoine &amp; Cie., Editeuers, Paris<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Costantino Bertucci (1841-1931) Metodo per Mandol.<\/td>\n<td align=\"right\">1885<\/td>\n<td>CostantinoBertucci (1841-1931)(Italian mandolinist and<br \/>\ncomposer, wasborn and died in Rome)(from <a href=\"http:\/\/www.justclassicalguitar.com\/vpmusicmedia\/biblioteca.php\" target=\"_blank\">http:\/\/www.justclassicalguitar.com\/<\/a>)Metodo per mandolino\uff08\u30de\u30f3\u30c9\u30ea\u30f3\u306e\u305f\u3081\u306e\u6559\u5247\u672c\uff09Costantino Bertucci,ITALY Ricordi 1885\u51683\u5dfb\/3vol.<\/td>\n<td><a href=\"http:\/\/homepage2.nifty.com\/motoi-lab\/textbook.html\" target=\"_blank\">http:\/\/homepage2.nifty.com\/motoi-lab\/textbook.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Louis Tocaben&#8217;s Complete Method for the Mandoline<\/td>\n<td align=\"right\">1885<\/td>\n<td>Louis Tocaben&#8217;s Complete Method for the Mandoline &#8211; 1885complete scan available &#8211; see source<\/td>\n<td><a href=\"http:\/\/academic.luther.edu\/%7Egoodinjo\/CMSA\/Tocaben1\/Tb1.htm\" target=\"_blank\">http:\/\/academic.luther.edu\/~goodinjo\/CMSA\/Tocaben1\/Tb1.htm<\/a><\/td>\n<\/tr>\n<tr>\n<td>K\u00f6hler, Ernesto &#8211; Mandolinen-Schule<\/td>\n<td align=\"right\">1887<\/td>\n<td>K\u00f6hler, Ernesto,Mandolinen-SchuleNeueste, praktische u. leicht verst\u00e4ndliche Methode f. den<br \/>\nSelbstunterricht geeignetgeb. Mk 2 n. Leipzig, Zimmermann.o September 1887.o Page 396<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001887&amp;teil=0203&amp;seite=00000396&amp;zoom=1\">http:\/\/anno.onb.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td>Herbert J. Ellis &#8211; &#8222;Turner&#8217;s&#8220; method<\/td>\n<td align=\"right\">1888<\/td>\n<td>I have Ellis&#8216; Thorough School for the Mandoline<br \/>\npublished by Turner<br \/>\nin London. BTW the author&amp;#39;s name is Herbert J. Ellis&#8230;.I<br \/>\nknow what info Sparks offers on the &#8222;Thorough School,&#8220; but Paul got his<br \/>\nfact bits a little crossed on this issue. #It was &#8222;Turner&#8217;s&#8220; method<br \/>\nthat was published in 1888 and the &#8222;Thorough School&#8220; didn&#8217;t hit print<br \/>\nuntil 1892. #Bone, writing a little closer in time to the fact, can offer a bit of<br \/>\nevidence to that end. #My &#8222;Thorough School&#8220; is a complete original edition. #My &#8222;Turner&amp;&#8217;s&#8220; is a xerographic copy and missing only the very<br \/>\nlast page (the second half of a polka)&#8230;.There<br \/>\nis also a rather lengthy entry about Ellis in Philip<br \/>\nBone&amp;#39;sThe<br \/>\nGuitar and Mandolin. Basically, Ellis was born in London 1865 and died<br \/>\nat age 38 in 1903. He started out on banjo and wrote a tutor for that<br \/>\nfirst. Bone says the mandolin tutor was first published in 1892. He<br \/>\nalso says that Ellis pieces were prized for their simplicity and very<br \/>\nplayable for beginners.<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/forum\/showthread.php?6204-Herbert-J.Ellis-Thorough-School-for-the-Mandoline\">mandolincafe<\/a><\/td>\n<\/tr>\n<tr>\n<td>Hertel, Julius; Mandolinen-Schule<\/td>\n<td align=\"right\">1888<\/td>\n<td>Hertel, Julius, Op. 62. \/Mandolinen-Schule. Neueste u.leicht verst\u00e4ndliche Methode m. Ber\u00fccksichtigung des vier-n.achtsaitigen Instruments, f. den Selbstunterricht geeignet\/.Mk 2,25 n. Leipzig, Merseburger.o Oktober 1888.o Page 399<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001888&amp;teil=0203&amp;seite=00000399&amp;zoom=1\">anno.onb.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td>Hertel, J.;Schule f. Mandoline (Klingenthaler Sys.<\/td>\n<td align=\"right\">1889<\/td>\n<td>Hertel, J.,Schule f. Mandoline. (Klingenthaler System.)Mk 1. Leipzig, Breitkopf &amp; H\u00e4rtel.o Dezember 1889.o Page 533<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001889&amp;teil=0203&amp;seite=00000533&amp;zoom=1\">anno.onb.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td>C. Fischer&#8217;s Method for the Mandolin<\/td>\n<td align=\"right\">1890<\/td>\n<td>C. Fischer&#8217;sNew and Revised EditionofCelebratedTutorsMethod for the MandolinCopyright 1890 \/ 1891 by Carl FischerFree Download from UR Research University of Rochester<\/td>\n<td><a href=\"http:\/\/hdl.handle.net\/1802\/15629\" target=\"_blank\">http:\/\/hdl.handle.net\/1802\/15629<\/a><\/td>\n<\/tr>\n<tr>\n<td>Munier, Carlo &#8211; Methode de Mandoline<\/td>\n<td align=\"right\">1891<\/td>\n<td>Carlo Munier (15. 7. 1859 &#8211; 10. 2. 1911)Methode de Mandoline (franz.\/engl.)Florenz 1891<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Cottin, Jules &#8211; C\u00e9l\u00e8bre M\u00e9thode Compl\u00e8te<\/td>\n<td align=\"right\">1891<\/td>\n<td>Jules CottinC\u00e9l\u00e8bre M\u00e9thode Compl\u00e8te Th\u00e9oretique et Pratique de MandolineCopyright by Emile Leduc, P. Bertrand &amp; Cie., 1912(nach Angabe von R. Janssens erstmals erschienen 1891, 2. Auflage 1902A Paris chez Alphonse Leduc, Edition Musicales<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Abelspies, J.F.; Mandolin-Schule<\/td>\n<td align=\"right\">1891<\/td>\n<td>Abelspies, J.F.Mandolin-Schule.Eine theoretisch-praktische Anweisung zur Erlernung desMandolinspiels m. Hilfe eines Lehrers od. durchSelbstunterricht\/. Mk 4. Trier, Hoenes.o M\u00e4rz 1891.o Page 76<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001891&amp;teil=0203&amp;seite=00000076&amp;zoom=1\">anno.onb.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td>Abelspies, J.F. Carl; Die Mandoline (Geschichte)<\/td>\n<td align=\"right\">1891<\/td>\n<td>Abelspies, J.F. CarlDie Mandoline.Eine kurze Abhandlung \u00fcber die Geschichte u. die verschiedenen Artender Mandoline zur Belehrung f. Mandolinenspieler\/. gr. 8. Mk0,30 n. Trier, Hoenes.o M\u00e4rz 1891.o Page 106<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001891&amp;teil=0203&amp;seite=00000106&amp;zoom=1\">anno.onb.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td>Herbert J. Ellis &#8211; Thorough School for the Mandoli<\/td>\n<td align=\"right\">1892<\/td>\n<td>I have Ellis&#8216; Thorough School for the Mandoline<br \/>\npublished by Turner<br \/>\nin London. BTW the author&amp;#39;s name is Herbert J. Ellis&#8230;.I<br \/>\nknow what info Sparks offers on the &#8222;Thorough School,&#8220; but Paul got his<br \/>\nfact bits a little crossed on this issue. #It was &#8222;Turner&#8217;s&#8220; method<br \/>\nthat was published in 1888 and the &#8222;Thorough School&#8220; didn&#8217;t hit print<br \/>\nuntil 1892. #Bone, writing a little closer in time to the fact, can offer a bit of<br \/>\nevidence to that end. #My &#8222;Thorough School&#8220; is a complete original edition. #My &#8222;Turner&amp;&#8217;s&#8220; is a xerographic copy and missing only the very<br \/>\nlast page (the second half of a polka)&#8230;.There<br \/>\nis also a rather lengthy entry about Ellis in Philip<br \/>\nBone&amp;#39;sThe<br \/>\nGuitar and Mandolin. Basically, Ellis was born in London 1865 and died<br \/>\nat age 38 in 1903. He started out on banjo and wrote a tutor for that<br \/>\nfirst. Bone says the mandolin tutor was first published in 1892. He<br \/>\nalso says that Ellis pieces were prized for their simplicity and very<br \/>\nplayable for beginners.<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/forum\/archive\/index.php\/t-15410.html\">mandolincafe<\/a><\/td>\n<\/tr>\n<tr>\n<td>Pietrapertosa, Jean; Methode de Mandoline<\/td>\n<td align=\"right\">1892<\/td>\n<td>Jean PietrapertosaMethode de Mandoline en deux parties(engl.\/franz.))Paris, P. Schott &amp; Cie., Copyright 1892<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>K\u00f6hler, Ernesto; Mandolinen-Schule f. den Selbst.<\/td>\n<td align=\"right\">1892<\/td>\n<td>K\u00f6hler, Ernesto,Mandolinen-Schule f. den Selbstunterricht, mdeutschem u. engl. Text\/. geb. Mk 2 n. Leipzig, Zimmermann.o April 1892.o Page 129<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001892&amp;teil=0203&amp;seite=00000129&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td>Mayer, Alois; Mandolinen-Album<\/td>\n<td align=\"right\">1892<\/td>\n<td>Mayer, Alois,Mandolinen-Album. Sammlung beliebterVolkslieder, Opernmelodien, T\u00e4nze, M\u00e4rsche u. Salonst\u00fccke\/.\/2 Hefte\/. qu. 8. \u00e0 Mk 1. Leipzig, Zimmermann.o August 1892.o Page 278<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001892&amp;teil=0203&amp;seite=00000278&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Hertel, Julius, Op. 125. \/Melodienbuch<\/td>\n<td align=\"right\">1892<\/td>\n<td>o Hertel, Julius, Op. 125. \/Melodienbuch f.Mandolinen-Spieler. Sammlung v. beliebten Volksliedern allerL\u00e4nder, Opern- u. Tanz-Melodien nebst andern Tonst\u00fccken f. 1u. 2 Mandolinen sowohl 4-wie 8saitig, zum Teil m. Pfte. ImAnschlusse an seine Mandolinen-Schule hrsg\/. \/3 Hefte\/. \u00e0 Mk1,50 n. Leipzig, Merseburger. Sudessi, P., \/A petits pas !Marcietta p. Mandoline (ou V.) et Piano\/. Mk 1,60 n. Nizza,Decourcelle.<\/p>\n<p>o November 1892.<\/p>\n<p>o Page 434<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001892&amp;teil=0203&amp;seite=00000434&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Marzuttini, G.B., M\u00e9canisme et V\u00e9locit\u00e9<\/td>\n<td align=\"right\">1893<\/td>\n<td>o Marzuttini, G.B., \/M\u00e9canisme et V\u00e9locit\u00e9. 6 Etudes p.Mandoline (lombarde ou napolitaine)\/. Mk 2. Triest, Schmidl&amp; Co.o Juni 1893.o Page 206<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001893&amp;teil=0203&amp;seite=00000206&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td>Zeller, Carl; Wie mein Ahn&#8217;l zwanzig Jahr (song)<\/td>\n<td align=\"right\">1893<\/td>\n<td>o Zeller, Carl,Wie mein Ahn&#8217;l zwanzig Jahr, aus der Operette\u201eDer Vogelh\u00e4ndler\u201c f. Mandoline u. Pfte arr. v. V.Hentschker\/. Mk 1,50. Leipzig, Bosworth &amp; Co.o September 1893.o Page 320<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001893&amp;teil=0203&amp;seite=00000320&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td>Bortolazzi, B.;Neue Ausg. rev.v. Engelbert R\u00f6ntgen<\/td>\n<td align=\"right\">1893<\/td>\n<td>Bortolazzi, B.,Anweisung die Mandoline von selbst zuerlernen, nebst einigen Uebungsst\u00fccken.Neue Ausg. revid. v. Engelbert R\u00f6ntgen\/.Mk 2. Leipzig, Breitkopf &amp; H\u00e4rtel.o Oktober 1893.o Page 383<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001893&amp;teil=0203&amp;seite=00000383&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>R\u00e9pertoire du Mandoliniste<\/td>\n<td align=\"right\">1893<\/td>\n<td>o \/R\u00e9pertoire du Mandoliniste. Recueil de Morceaux de<br \/>\ntoutGenre p. Mandoline. S\u00e9rie I. Album I. Chansons populaires\u201etriestines\u201c. Album II. Chansons populaires \u201enapolitaines\/.\u00e0 Mk 1. Triest, Schmidl.o Oktober 1893.o Page 383o View Transcriptiono View Facsimile<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001893&amp;teil=0203&amp;seite=00000383&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Schick, Otto, Album f. Mandoline<\/td>\n<td align=\"right\">1893<\/td>\n<td>o Schick, Otto, \/Album f. Mandoline m. Guitarre ad lib.<br \/>\narr\/.Mk 1,50. Leipzig, Edit. Peters.o Oktober 1893.o Page 383o View Transcriptiono View Facsimile<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001893&amp;teil=0203&amp;seite=00000383&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Schick, Otto,Mandolinen-Schule Peters<\/td>\n<td align=\"right\">1893<\/td>\n<td>o Bortolazzi, B., \/Anweisung die Mandoline von selbst zuerlernen, nebst einigen Uebungsst\u00fccken. Neue Ausg. revid. v.Engelbert R\u00f6ntgen\/. Mk 2. Leipzig, Breitkopf &amp; H\u00e4rtel.\/R\u00e9pertoire du Mandoliniste. Recueil de Morceaux de toutGenre p. Mandoline. S\u00e9rie I. Album I. Chansons populaires\u201etriestines\u201c. Album II. Chansons populaires \u201enapolitaines\/.\u00e0 Mk 1. Triest, Schmidl. Schick, Otto, \/Album f. Mandolinem. Guitarre ad lib. arr\/. Mk 1,50. Leipzig, Edit. Peters. \u2013<\/p>\n<p>\/Mandolinen-Schule zum Selbstunterricht geeignet. Text<\/p>\n<p>deutsch u. engl\/. Mk 1,50. Leipzig, Edit. Peters.<\/p>\n<p>o Oktober 1893.<\/p>\n<p>o Page 383<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001893&amp;teil=0203&amp;seite=00000383&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Hofmann, Richard; Praktische Instrumentationslehre<\/td>\n<td align=\"right\">1893<\/td>\n<td>*Hofmann, Richard*, \/Praktische Instrumentationslehre.7 Theile\/. gr. 4. cplt Mk 30 *n. Leipzig, D\u00f6rffling &amp; Franke.\/Theil 1. Die Streichinstrumente\/. Mk 5 *n. \u2013 \/2. DieHolzblasinstrumente\/. Mk 5 *n. \u2013 \/3. Die Streich- u.Holzblasinstrumente zusammenwirkend\/. Mk 3 *n. \u2013 \/4. DieH\u00f6rner\/. Mk 3 *n. \u2013 \/5. Die Vermischung der Streich- u.Holzblasinstrumente nebst H\u00f6rnern\/. Mk 3 *n. \u2013 \/6. Die<\/p>\n<p>Trompeten, Cornette, Posaunen, Tuben u. Schlaginstrumente\/.<\/p>\n<p>Mk 6 *n. \u2013 \/7. Die Harfe, Mandoline, Zither, Guitarre,<\/p>\n<p>Klavi\u00e9r (Cembalo), Cymbal, Orgel u. Harm\/. Mk 5 *n.<\/p>\n<p>o November 1893.<\/p>\n<p>o Page 503<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001893&amp;teil=0203&amp;seite=00000503&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Rossi, Carlo; Mandolinen-Schule\/Mand.-Album<\/td>\n<td align=\"right\">1893<\/td>\n<td>Rossi, Carlo,Mandolinen-Schule zum gr\u00fcndlichen Erlernendes Instrumentes mit od. ohne Hilfe eines Lehrers, deutschu. franz\u00f6s\/. Mk 2. Leipzig, Hug &amp; Co.Mandolinen-Album.Eine neue Sammlung v. geeigneten alten u. neuen Melodien\/.Mk 1,50. Leipzig, Hug &amp; Co.o Dezember 1893.<\/p>\n<p>o Page 511<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001893&amp;teil=0203&amp;seite=00000511&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Cristofaro&#8217;s Mandolin vol 1 translated, revised by<\/td>\n<td align=\"right\">1894<\/td>\n<td>from an ebay offer:offered are 3 piece mandolin books &amp; sheet music.Cristofaro&#8217;s Mandolin vol 1 translated &amp; revised by Paul<br \/>\nLoring1894original mandolin method.U T D method for the Mandolin a complete &amp; easily understood<br \/>\ninstructor by Franklin Eaton 1898.Progressive Saunders modern mandolin studies an entirely original<br \/>\nmethod.1901.These books are and sheet music are in good solid usable condition&#8230;.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Decker-Schenk; Schule f. d. 6 saitige Mail\u00e4nder M<\/td>\n<td align=\"right\">1894<\/td>\n<td>o Decker-Schenk, J.,Schule f. die 6 saitige Mail\u00e4nderMandoline\/ Mk 2 n. Leipzig, Zimmermann.o Februar 1894.o Page 62<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001894&amp;teil=0203&amp;seite=00000062&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Leonhardt, Emil; Grosse Mandolinen-Schule<\/td>\n<td align=\"right\">1894<\/td>\n<td>Leonhardt, Emil,Grosse Mandolinen-Schule (f. die 8saitige Mandoline)m. deutschem, engl. u. russ. Text\/. Mk 3 n.Leipzig, Zimmermann.o November 1894.o Page 479<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001894&amp;teil=0203&amp;seite=00000479&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Kling, H., Leichtfassliche, praktische Schule<\/td>\n<td align=\"right\">1894<\/td>\n<td>o Kling, H., Op. 472. \/Leichtfassliche, praktische Schule f.Mandoline m. vielen Uebungs- u. Vortragsst\u00fccken\/. Mk 1,50*n. Hannover, Oertel.o Dezember 1894.o Page 535<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001894&amp;teil=0203&amp;seite=00000535&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Arling Shafer &#8211; The Washburn Mandolin Method<\/td>\n<td align=\"right\">1895<\/td>\n<td>Then there&#8217;s the Washburn Mandolin Method by Arling<br \/>\nShafer (c 1895)<br \/>\nwhich in the introduction states &#8220; In presenting this improved BANJO<br \/>\nmethod to the public&#8230;&#8230;. BANJO??<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/forum\/archive\/index.php\/t-15410.html\" target=\"_blank\">http:\/\/www.mandolincafe.com\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Mandoline, die. Fachschrift f. die Interessen des<\/td>\n<td align=\"right\">1895<\/td>\n<td>o \/Mandoline, die. Fachschrift f. die Interessen desMandolinenspiels. Red.: Joh. Haslwanter. 1. Jahrg. 1895\/. 12Nrn. gr. 4. (m. Musikbeilagen.) j\u00e4hrl. Mk 6 *n.; halbj\u00e4hrl.Mk 3 *n.; viertelj\u00e4hrl. Mk 1,50 *n. M\u00fcnchen, Haslwanter.o September 1895.o Page 389o View Transcriptiono View Facsimile<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001895&amp;teil=0203&amp;seite=00000389&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Carlo Curti &#8211; Complete Method for the Mandolin<\/td>\n<td align=\"right\">1896<\/td>\n<td>source: Paul Sparks &#8211; The Classical Mandolin<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Giuseppe Antonio Luigi Pettine &#8211; Mandolin Method<\/td>\n<td align=\"right\">1896<\/td>\n<td>Giuseppe Antonio Luigi Pettine was an Italian-American<br \/>\nconcert<br \/>\nmandolinist, teacher, and composer. He was born on 13 February 1874 in<br \/>\nthe town of Isernia, Italy. Young Giuseppe started to study the<br \/>\nmandolin with Camille Mastropaolo at a very early age. After the<br \/>\nPettine family emigrated to the USA in 1889 and had settled in<br \/>\nProvidence, Rhode Island, Giuseppe was soon regarded as a child prodigy<br \/>\nof the mandolin because of his great concert appearances.[citation<br \/>\nneeded] Raffaele Calace (1863 &#8211; 1934) dedicated his First Mandolin<br \/>\nConcerto op. 113 to Pettine, his fellow countryman and friend, in honor<br \/>\nof his skills and passion for the mandolin.[citation needed]Pettine<br \/>\nis probably best remembered as the mandolinist of and composer\/arranger<br \/>\nof many composition for The Big Trio Reprise, a trio formed by the<br \/>\nguitarist William Foden, the banjoist Frederick Bacon and Giuseppe<br \/>\nPettine on mandolin, but with the publication of his mandolin method in<br \/>\n1896 he also became renowned as a national teacher of the Italian<br \/>\nmandolin technique. With his talent as a teacher and his comprehensive<br \/>\nsix-volume tutorial for the mandolin he created a fine school of<br \/>\nAmerican mandolinists among whom were William Place Jr. (1889 &#8211; 1959),<br \/>\nknown as \u2018Americas Greatest Mandolin Virtuoso\u2019, and Alfonso Balasone<br \/>\n(Albert Bellson, 1897 &#8211; 1977). Today the Pettine method is still<br \/>\nregarded as one of the most comprehensive works for mandolin ever<br \/>\npublished.<\/td>\n<td><a href=\"http:\/\/en.wikipedia.org\/wiki\/Giuseppe_Pettine\" target=\"_blank\">http:\/\/en.wikipedia.org\/wiki\/Giuseppe_Pettine<\/a><\/td>\n<\/tr>\n<tr>\n<td>Patierno, E.; Methode El\u00e9mentaire de Mandoline<\/td>\n<td align=\"right\">1896<\/td>\n<td>E. PatiernoMethode El\u00e9mentaire de MandolineHenry Lemoine &amp; Cie., Editeurs, Copyright 1964published first in 1896see:http:\/\/www.mandoisland.de\/bilder\/schulen\/patierno.html<\/td>\n<td><a href=\"http:\/\/www.trioassai.com\/bandufaqe.html\" target=\"_blank\">http:\/\/www.trioassai.com\/bandufaqe.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Marzuttini, G.B. (ital. u. franz\u00f6s.)<\/td>\n<td align=\"right\">1896<\/td>\n<td>o Marzuttini, G.B., \/Metodo teorico e pratico p.<br \/>\nMandolinonapolitano o romano (a 4 corde doppie). Text ital. u.franz\u00f6s. 1. Theil\/. Mk 2. Triest, Schmidl.o Januar 1896.o Page 4<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001896&amp;teil=0203&amp;seite=00000004&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Marzuttini, G.B. (francais, italien)<\/td>\n<td align=\"right\">1896<\/td>\n<td>o Marzuttini, G.B., \/M\u00e9thode th\u00e9orique-pratique de<br \/>\nMandolinenapolitaine ou romaine (\u00e0 4 Cordes doubles). Texte fran\u00e7aiset italien. 4 Livr\/. \u00e0 Mk 2 n.; cplt Mk 6,40 n. Triest,Schmidl &amp; Co.o November 1896.o Page 549<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001896&amp;teil=0203&amp;seite=00000549&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Munier, C.; Ecole de Mandoline<\/td>\n<td align=\"right\">1897<\/td>\n<td>Munier, C.Ecole de Mandoline.M\u00e9thode th\u00e9orique et pratique.Text: fran\u00e7ais, italien et allemand\/. \/1re Partie\/. Mk 4 n. \/2me Partie\/. Mk 5 n.Florenz, Lapini.(Leipzig, Breitkopf &amp; H\u00e4rtel.)<\/p>\n<p>o M\u00e4rz 1897.<\/p>\n<p>o Page 98<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001897&amp;teil=0203&amp;seite=00000098&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Marzuttini, G.B. (deutsch\/engl.)<\/td>\n<td align=\"right\">1897<\/td>\n<td>o Marzuttini, G.B., \/Theoretisch-praktische Methode f.<br \/>\ndieneapolitanische od. r\u00f6mische Mandoline (m. 4 Doppelsaiten).Text deutsch u. engl. 2 Hefte\/. \u00e0 Mk 3 n.; cplt. Mk 5 n.Triest, Schmidl &amp; Co.o M\u00e4rz 1897.o Page 97<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001897&amp;teil=0203&amp;seite=00000097&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Krempl, Josef; Mandoliennschule<\/td>\n<td align=\"right\">1897<\/td>\n<td>Krempl, Josef, \/Mandolinenschule\/. Mk 3 n.Leipzig, Leuckart.o September 1897.o Page 366<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001897&amp;teil=0203&amp;seite=00000366&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Franklin Eaton, U T D method for the Mandolin<\/td>\n<td align=\"right\">1898<\/td>\n<td>from an ebay offer:Offered are 3 piece mandolin books &amp; sheet music.Cristofaro&#8217;s Mandolin vol 1 translated &amp; revised by Paul<br \/>\nLoring1894original mandolin method.U T D method for the Mandolin a complete &amp; easily understood<br \/>\ninstructor by Franklin Eaton 1898.Progressive Saunders modern mandolin studies an entirely original<br \/>\nmethod.1901.These books are and sheet music are in good solid usable condition&#8230;.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gargiulo, Enrico; 18 Et\u00fcden f. Mandoline<\/td>\n<td align=\"right\">1898<\/td>\n<td>Gargiulo, Enrico18 Et\u00fcden f. Mandoline\/. Leipzig,Schuberth jun. Mk 2.o Mai 1898.o Page 184<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001898&amp;teil=0203&amp;seite=00000184&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>\u0160ebelka, F., \/Theoretisch-praktische Schule f. Man<\/td>\n<td align=\"right\">1899<\/td>\n<td>o \u0160ebelka, F., \/Theoretisch-praktische Schule f.<br \/>\nMandoline(b\u00f6hm. Text.) Heft 1, 2 (Album)\/. Prag, Taussig \u00e0 Mk 2,40;cplt Mk 3,60 n.o Juli 1899.o Page 297<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001899&amp;teil=0203&amp;seite=00000297&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Singers complete mandolin method<\/td>\n<td align=\"right\">1900<\/td>\n<td>However one I really like is the 1900 Singers complete<br \/>\nmandolin<br \/>\nmethod&#8230;&#8230;. It covers some important things not mentioned in others..<br \/>\nlike How to practice,How much to practice, caring for the instrument<br \/>\netc etc etc and the REAL importance of the left hand techneque&#8230;..<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/forum\/archive\/index.php\/t-15410.html\" target=\"_blank\">http:\/\/www.mandolincafe.com\/forum\/archive\/index.php\/t-15410.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Graziani-Walter, Ch.; Theoretisch-praktische Mand.<\/td>\n<td align=\"right\">1900<\/td>\n<td>Graziani-Walter, Ch.Theoretisch-praktische Mandolinenschule f. die neapolitanische od.<br \/>\nr\u00f6mischeMandoline m. 4 Doppelsaiten.Ausg.: deutsch u. engl. \u2013 ital.u. franz\u00f6s \/. Leipzig, Cranz \u00e0 Mk 5.Dieselbe in 2 Heften:\/Heft 1. Ausg.: deutsch u. engl. \u2013 ital. u. franz\u00f6s \/. \u00e0 Mk2,80. \u2013 \/2. Ausg.: ital., franz\u00f6s., deutsch u. engl \/. Mk 2,80.o M\u00e4rz 1900.o Page 106<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001900&amp;teil=0203&amp;seite=00000106&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Ruthe, A.; Mandolinenschule f. d. Selbstunterricht<\/td>\n<td align=\"right\">1900<\/td>\n<td>Ruthe, A.Mandolinenschule f. den Selbstunterricht, deutsch u. engl.geb\/. Hamburg, Domkowsky &amp; Co. Mk 2.o M\u00e4rz 1900.o Page 106<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001900&amp;teil=0203&amp;seite=00000106&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Giuseppe Pettine &#8211; Modern Mandolin School<\/td>\n<td align=\"right\">1900<\/td>\n<td>The Modern mandolin School by Giuseppe Pettine was<br \/>\npublished between 1900 and 1909 according to the prefaces of the seven<br \/>\nparts:* Fundamentals (For Children)* Part I* Part II and III* Part IV Duo Style of Mandoln Playing &#8211; (Preface dated March 10, 1905<br \/>\n&#8211; First Edition May 10th 1900)* Part V Right &amp; Left Hand Harmonics* Part VI Plectrum&#8217;s Mechanism &#8211; (Preface date September 25, 1906)* DuoPrimer, 24 Selections in &#8222;Duo Style&#8220; &#8211; (Preface date August 10th,<br \/>\n1909)- copyright 1936 by Giuseppe Pettine<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/bilder\/schulen\/pettine_modern_school.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/bilder\/schulen\/pettine_modern_school.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Clementino, Andrea; Die erste Schule der Mandoline<\/td>\n<td align=\"right\">1900<\/td>\n<td>o Clementino, Andrea.Die erste Schule der Mandoline od. DieKunst, die Mandoline mit od. ohne Kenntnis der Musik u. ohneLehrer spielen zu k\u00f6nnen. Nach ber\u00fchmter Lehrmethodezusammengestellt\/. 8^o . Triest, Schmidl &amp; Co. Mk 1,50 n.o August 1900.o Page 381<\/td>\n<td><a href=\"http:\/\/anno.onb.ac.at\/cgi-content\/anno-buch?apm=0&amp;aid=1000001&amp;bd=0001900&amp;teil=0203&amp;seite=00000381&amp;zoom=1\" target=\"_blank\">http:\/\/anno.onb.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Siegel, Samuel, Siegel\u2019s Special Mandolin Studies<\/td>\n<td align=\"right\">1901<\/td>\n<td>Siegel, Samuel, Siegel\u2019s Special Mandolin Studies,New York: Jos. W Stern &amp; Co., 1901.Siegel includes some preparatory exercises, left hand pizzicato,<br \/>\nharmonic duo style (\u201c&#8230;originalwith the author\u201d and \u201cTwo Compositions in Duo Form\u201d.http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf<\/td>\n<td><a href=\"http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf\" target=\"_blank\">http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf<\/a><\/td>\n<\/tr>\n<tr>\n<td>Saunders modern mandolin studies<\/td>\n<td align=\"right\">1901<\/td>\n<td>from an ebay offer:offered are 3 piece mandolin books &amp; sheet music.Cristofaro&#8217;s Mandolin vol 1 translated &amp; revised by Paul<br \/>\nLoring1894original mandolin method.U T D method for the Mandolin a complete &amp; easily understood<br \/>\ninstructor by Franklin Eaton 1898.Progressive Saunders modern mandolin studies an entirely original<br \/>\nmethod.1901.These books are and sheet music are in good solid usable condition&#8230;.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Schick, Otto; Schule Neapolitanische Mand.<\/td>\n<td align=\"right\">1901<\/td>\n<td>Otto Schick(1850 &#8211; 1928)Schule f\u00fcr die Neapolitanische Mandolinemit besonderer Ber\u00fccksichtigung der Mail\u00e4nder (lombardischen)<br \/>\nMandolineund der Bandurria (spanischen Mandoline)Friedrich Hofmeister, Leipzig; Copyright 1901<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Calace, Raffaele; Schule f\u00fcr Mandoline<\/td>\n<td align=\"right\">1902<\/td>\n<td>Calace, Raffaele (1863 &#8211; 1934)Schule f\u00fcr MandolineErschienen 1902; (6 B\u00e4nde?)Deutsche Ausgabe von Carl Henze 1922;Neuauflage mit Erg\u00e4nzungen von Marga Wilden-H\u00fcsgen 19824 B\u00e4nde; Trekel Verlag, Hamburg;<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Vorpahl, Reinhold &amp; E.; Neue Reform-Schule<\/td>\n<td align=\"right\">1902<\/td>\n<td>Reinhold und E. Vorpahl(1864 &#8211; 1926)Neue Reform-Schule f\u00fcr die Neapolitanische- oder R\u00f6mische Mandolinezum Selbstunterricht, wie zur Hand des LehrersVerlag von Ad. K\u00f6ster, BerlinVorwort datiert: Berlin W, im Oktober 1902<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Cottin, Madeleine; M\u00e9thode de Mandoline<\/td>\n<td align=\"right\">1903<\/td>\n<td>Madeleine CottinM\u00e9thode de MandolineCopyright 1903 &#8211; 1905 by Madeleine Cottin, Parisen depot chez MM. Lemoine et Cie., Editeurs, Paris<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Bara, Edgar; Methode de mandoline et banjoline<\/td>\n<td align=\"right\">1903<\/td>\n<td>Edgar BaraMethode de mandoline et banjolinecomplete theoretique pratiqueEdition Paul Beuscher, ParisU.S.A. Copyright by Edgar Bara 1903<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kenpachi Hiruma &#8211; Mandolin Method<\/td>\n<td align=\"right\">1903<\/td>\n<td>\u30de\u30f3\u30c9\u30ea\u30f3\u6559\u79d1\u66f8\u3001\u6bd4\u7559\u9593\u8ce2\u516b\u7de8Mandolin Method by Kenpachi Hiruma, 1903.(The first Japanese mandolin method)(Information by Tetsuro Kudo)<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Pietrapertosa, J. Fils &#8211; Methode comple\u0300te<\/td>\n<td align=\"right\">1903<\/td>\n<td>Me\u0301thode comple\u0300te, the\u0301orique et pratique, de<br \/>\nmandolinepar J. Pietrapertosa Fils (1903)Part 1free download from UR Reasearch, University of Rochester<\/td>\n<td><a href=\"http:\/\/hdl.handle.net\/1802\/15630\" target=\"_blank\">http:\/\/hdl.handle.net\/1802\/15630<\/a><\/td>\n<\/tr>\n<tr>\n<td>Janvier Pietrapertosa Fils &#8211; Methode Complete de M<\/td>\n<td align=\"right\">1903<\/td>\n<td>Janvier Pietrapertosa Fils -Methode complete de Mandoline ou Banjoline Theoretique et pratiqueHenri Gregh Paris, EditeurUSA Copyright 1903<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/bilder\/schulen\/pietrapertosa.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/bilder\/schulen\/pietrapertosa.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>William C. Stahl &#8211; New Mandolin Method<\/td>\n<td align=\"right\">1903<\/td>\n<td>William C. Stahl&#8217;sNEW Mandolin Method3 parts.I got the following infromation from Bob Sanders:They<br \/>\nsay on the cover Revised edition and Latest Revised edition but the<br \/>\ndates inside are copyrighted MCMIII (1903) and MCMXII (1912)<br \/>\nrespectively and part 3 is MCMVI (1906).<\/td>\n<td>Part 1 available as download at:<a href=\"http:\/\/brittlebooks.library.illinois.edu\/brittlebooks_open\/Books2011-10\/stahwi0001mani64\/\" target=\"_blank\">http:\/\/brittlebooks.library.illinois.edu\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Odell, Herbert Forrest &#8211; Method for the Mandolin<\/td>\n<td align=\"right\">1906<\/td>\n<td>Odell Method for the MandolinbyOdell, Herbert ForrestOliver Ditson CompanyTheodore Presser Co., DistributorsBryn Mawr, PennsylvaniaCopyright MCMVi (1906) by Oliver Ditson Company<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hawkes &amp; Son &#8211; The Simplicity Tutor<\/td>\n<td align=\"right\">1910<\/td>\n<td>Hawkes &amp; Son &#8211; The Simplicity TutorThe Mandolinewith Exercises and Solos specially written and selectedno dateBoosey &amp; Hawkes, Ltd. 295, Regent Street, Londonon the back:The &#8222;Simplicity Tutors&#8220;:&#8220;A<br \/>\nseries of Elementary Instruction Books comencing from the very<br \/>\nbeginning and written in progressive order, with abundance of scales<br \/>\nand exercises. All the exercises are melodious, and are so framed to<br \/>\ngive the full benefit of instruction without discouriging the learner.<br \/>\nAs these books are only intended as a stepping-stone from rudimentary<br \/>\nknowledge of the instrument, students are advised to continue their<br \/>\nstudies in the more advanced and practical tutors by OTTO LANGEY.&#8220;The book contains pieces with copyright 1902 and 1903:Chanson sans Paroles by Otto Langey, op. 58Down South, by W. H. Myddleton, copyright 1902Holzschuh Polka by C. W. Drescher<\/p>\n<p>Karlsbader Puppentanz by Ludwig Pleier, copyright 1903<\/p>\n<p>La Serenata, by G. Braga<\/p>\n<p>Love of Life, by L. St\u00f6ckigt, copyright 1902<\/p>\n<p>Midsummer (Valses) by Marguerite Marigold, copyright 1903<\/p>\n<p>The Paris March, by E. Mezzacapo<\/p>\n<p>Otto Langey (1851 &#8211; 1922)<\/p>\n<p>Born in Germany, October 20, 1851.<\/p>\n<p>He<br \/>\nstudied harmony, counterpoint, and composition, with Wilhelm Fritze.<br \/>\nAfter several years of activity in England as a musical director and<br \/>\nconductor, he came to the Untied States in 1889, and was appointed solo<br \/>\ncellist with Bochert&#8217;s Boston Symphony Club. Subsequently he settled in<br \/>\nNew York City. As a teacher of violoncello, and as an orchestral<br \/>\narranger he has attained wide distinction.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Silvio Ranieri (1882-1956) &#8211; L&#8217;Art de la Mandoline<\/td>\n<td align=\"right\">1910<\/td>\n<td>L&#8217;Art de la Mandoline \/ Die Kunst des MandolinspielsCranz &amp; Co., LTD.;4 volumes1910<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ghinfu, Sanshi (Japan)<\/td>\n<td align=\"right\">1911<\/td>\n<td>Ghinfu, Sanshi (Japan)<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Heinrich Albert 1870-1950 &#8211; Neue Mandolinenschule<\/td>\n<td align=\"right\">1912<\/td>\n<td>Als ausgebildeter Geiger beherrschte Albert bald auch<br \/>\ndieses<br \/>\nInstrument. Er kam 1805 zum M\u00fcnchener Kaim-Orchester und gab nebenbei<br \/>\nMandolinen- und Gitarrenunterricht. Albert verlegte seine Kompositionen<br \/>\n(ua. \u201e10 Compositions Favories pour Mandolin\u201c) \u00fcber den<br \/>\nMusikalienh\u00e4ndler Schmidl aus Triest, welches damals noch zu \u00d6sterreich<br \/>\ngeh\u00f6rte. Albert d\u00fcrfte \u00fcber Schmidl Kontakte zu einigen Triester<br \/>\nMandolinen- und Gitarrespielern, wie Silvio Negri (1865-1936) und<br \/>\nGiovanni Battista Marzutti (1863-1943) erhalten haben, welche ebenfalls<br \/>\nMandolinenquartette komponierten.Sp\u00e4ter gab Albert die \u201eNeue<br \/>\nMandolinenschule &#8211; Leichte \u2013 mittelschwere romantische Duos f\u00fcr<br \/>\nMandoline und Gitarre\u201c in Leipzig heraus und lobt das Klangbild des<br \/>\nQuartetts: \u201eDas vollkommenste ist eigentlich ein Quartett, bestehend<br \/>\naus Mandoline I, Mandoline II, Mandola und Gitarre\u201c. Albert gr\u00fcndete<br \/>\n1898 mit seinen Sch\u00fclern ein Mandolinenensemble mit zirka 20<br \/>\nMitgliedern, das \u201eCircolo Mandolinistico lombardo di Monaco\u201c. Ab 1900<br \/>\nwurde Albert auch f\u00fcr die Ausf\u00fchrung der anfallenden Mandolinen- und<br \/>\nGitarrenteile am M\u00fcnchner Hof- und Residenz-Theater herangezogen.1912<br \/>\nerschien Alberts erstes Lehrwerk f\u00fcr Mandoline, die \u201eNeue<br \/>\nMandolinenschule\u201c mit dem Vermerk \u201eF\u00fcr den Selbstunterricht besonders<br \/>\ngeeignet\u201c. In M\u00fcnchen galt Heinrich Albert als der kompetente Fachmann<br \/>\nf\u00fcr die Mandoline.Nach dem Ende des Ersten Weltkrieges begann<br \/>\ner,ab 1919 seine Werke im Verlag Julius Heinrich Zimmermann zu<br \/>\nver\u00f6ffentlichen. Es befanden sich darunter auch zwei Hefte mit dem<br \/>\nTitel \u201eMandolinen-Orchester, Unterhaltungsst\u00fccke in leichter Spielart\u201c.<br \/>\nDas letzte Werk Alberts f\u00fcr die Mandoline d\u00fcrfte die 1938 erschienene<br \/>\nSchule \u201eDer junge Mandolinist\u201c eine \u201eElementarschule f\u00fcr den ersten<br \/>\nAnfang\u201c gewesen sein. Es war dies das erste Lehrwerk, welches sich<br \/>\ngezielt an junge Sch\u00fcler richtet.<\/td>\n<td><a href=\"http:\/\/www.mandolinen.at\/index.php?id=128\" target=\"_blank\">http:\/\/www.mandolinen.at\/index.php?id=128<\/a><\/td>\n<\/tr>\n<tr>\n<td>Takahama, Koichi (Japan)<\/td>\n<td align=\"right\">1912<\/td>\n<td>Takahama, Koichi (Japan)<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Alberto Bracony; Theoretisch praktische Schule<\/td>\n<td align=\"right\">1913<\/td>\n<td>Theoretisch praktische Schule f\u00fcr MandolineVerlag von Anton J. Benjamin, Hamburg und Leipzig, 1913<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Theodor Ritter; Theoretisch-praktische Mandolinen-<\/td>\n<td align=\"right\">1913<\/td>\n<td>Theodor RitterTheoretisch-praktische Mandolinen-SchuleGr\u00fcndlicher und vollst\u00e4ndiger Lehrgang f\u00fcr den Einzel-, Gruppen- und<br \/>\nSelbstunterricht in 5 HeftenVerlag Friedrich Hofmeister, Leipzig, 1913<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>The guitar and mandolin &#8211; P. J. Bone<\/td>\n<td align=\"right\">1914<\/td>\n<td>Philip James Bone published this book in 1914:The guitar and mandolin : biographies of celebrated players and<br \/>\ncomposers for these instrumentsThe book is available from the Internet Archive<\/td>\n<td><a href=\"http:\/\/www.archive.org\/details\/guitarmandolinbi00bone\" target=\"_blank\">http:\/\/www.archive.org\/details\/guitarmandolinbi00bone<\/a><\/td>\n<\/tr>\n<tr>\n<td>Kitamura, Sueharu (Japan)<\/td>\n<td align=\"right\">1916<\/td>\n<td>Kitamura, Sueharu (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Guiseppe Silvestri Metodo di Mandolino no 8150<\/td>\n<td align=\"right\">1916<\/td>\n<td>Giuseppe SilvestriMetodo Teoretico-Pratico-Progressivo di Mandolinosold on ebay:&#8220;You<br \/>\nare bidding on one Pagani Edition Italian and English Text Guiseppe<br \/>\nSilvestri Metodo di Mandolino no 8150-couldn&#8217;t find another one on<br \/>\nEbaysays MCMXVI on the inside(1916?)&#8220;Inside cover says:G. SilvestriThe Acknowledeged BestMandolin MethodNew EditionRevised and AmplifiedbyFlaminio Pignoloni(English Version by G. P. Schroeder)The<br \/>\nOriginal Authentic and Exclusive Method made specially for successfully<br \/>\nteaching the Art of Mandolin Playing. The best for teachers and Pupils.copyright MCMXVIO. Pagani &amp; Bro.<\/p>\n<p>New York<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Machida, Oen (Japan)<\/td>\n<td align=\"right\">1918<\/td>\n<td>Machida, Oen (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Ernst Spindler; Praktische Schule f\u00fcr Mandoline<\/td>\n<td align=\"right\">1919<\/td>\n<td>Praktische Schule f\u00fcr Mandoline, op. 130Ernst Spindler, Musikverlag, N\u00fcrnberg, 1919<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ohno, Umewaka (Japan)<\/td>\n<td align=\"right\">1920<\/td>\n<td>Ohno, Umewaka (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Zarh Myron Bickford &#8211; The Bickford Mandolin Method<\/td>\n<td align=\"right\">1920<\/td>\n<td>The Bickford Mandolin Method, Book 1Zarh Myron BickfordISBN: 0825802679Publisher: Carl Fischer MusicPublished date: Sep 1 1920<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Johann B. Kok &#8211; Populaire Mandoline School<\/td>\n<td align=\"right\">1920<\/td>\n<td>Joh. B. Kok,Populaire Mandoline Schoolfrom mandolinmoments.com:&#8220;Arround<br \/>\n1920 he also wrote a two-volume tutor titled \u00b4Populaire Mandoline<br \/>\nSchool\u00b4 (64 pages) that was edited by Cor B. Smit\u00b4s Musicshop in<br \/>\nAmsterdam.&#8220;<\/td>\n<td><a href=\"http:\/\/mandolinmoments.com\/index.php?page=johanbkok\" target=\"_blank\">http:\/\/mandolinmoments.com\/index.php?page=johanbkok<\/a><\/td>\n<\/tr>\n<tr>\n<td>Karl Schmidt; Schule f\u00fcr die Mandoline (2 B\u00e4nde)<\/td>\n<td align=\"right\">1921<\/td>\n<td>Karl SchmidtSchule f\u00fcr die Mandoline (2 B\u00e4nde)Neue Ausgabe von Hermann Erdlen (erschien erstmals im Herbst 1921)Hansa-Ausgabe, Verlag von Domkowsky &amp; Co. Hamburg &#8211; Leipzig<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Yamada, Genichiro (Japan)<\/td>\n<td align=\"right\">1922<\/td>\n<td>Yamada, Genichiro (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Landys &#8211; Methode du Banjo, Banjo-Mandoline ou Banj<\/td>\n<td align=\"right\">1922<\/td>\n<td>Methodepourl&#8217;enseignement rapide et rationnelduBanjo, Banjo-Mandoline ou BanjolineContenant<br \/>\nles principes de la musique, tabulature, gammes, exercises<br \/>\nr#ecr#eations, positions etc. ainsi que les plus grands succ\u00e8s des Jazz<br \/>\nParisiens.parLandysPrix net: 1.25(stamp: Gallet et Fils 7 fr, sans augmentation)Emile Gallet et Fils, EditeursParis, 6 Rue et Galerie Vivienne, de 62 a 72<\/p>\n<p>songs contained at the end:<\/p>\n<p>Always with you (Toujours avec vouz), Fox-Trot by Speranza-Camusat<\/p>\n<p>I like him, One-Step by Speranza-Camusat<\/p>\n<p>Agueda, Schotis Espanol, by Speranza-Camusat<\/p>\n<p>I&#8217;m eager to dance it, Fox-Shimmy, by Speranza-Camusat<\/p>\n<p>I have found this other edition by Speranza-Camusat:<\/p>\n<p>SPERANZA-CAMUSAT\u200e<\/p>\n<p>\u200eLE DANCING POUR TOUS 1er RECUEIL\u200e<\/p>\n<p>\u200eE.<br \/>\nGallet. 1922. In-4 Carr\u00e9. Broch\u00e9. Etat d&#8217;usage. Couv. l\u00e9g\u00e8rement<br \/>\npass\u00e9e. Dos ab\u00eem\u00e9. Quelques rousseurs. 25 pages. Gravure couleur de<br \/>\nCl\u00e9rice Fr\u00e8res en couverture. D\u00e9chirure entre les plats.\u200e<\/p>\n<p>\u200eRecueil<br \/>\nde danses modernes. Contient &#8222;I Like him&#8220;, &#8222;Maliziosa&#8220;, &#8222;Always With<br \/>\nYou&#8220;, &#8222;Agueda&#8220;, &#8222;Faro&#8220;, &#8222;Lunes de Abril&#8220;, &#8222;Folies Dancing&#8220;,<br \/>\n&#8222;Delicioza&#8220;, &#8222;If You Like&#8220;, &#8222;El Escalofrio&#8220;, &#8222;Rosa&#8220;, &#8222;The Little<br \/>\nBells&#8220;. Op. 256 \u00e0 267. Partitions pour piano.\u200e<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Louis Houtin &#8211; M\u00e9thode de Mandoline<\/td>\n<td align=\"right\">1922<\/td>\n<td>Louis Houtin (Mandoliniste du Th\u00e9atre National de<br \/>\nl&#8217;Op\u00e9ra)M\u00e9thode de Mandolinesans maitre Edition des &#8222;Bons Auteurs&#8220;; copyright by A. Zurfluh 1922<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Staufer, Aubrey, Thirty Progressive Studies for th<\/td>\n<td align=\"right\">1923<\/td>\n<td>Staufer, Aubrey, Thirty Progressive Studies for the<br \/>\nMandolin,Aubrey Stauffer &amp; Co, 1923.Technical studies &#8212; some quite difficult that lead one to be able to<br \/>\nplay pieces that shouldnever be played on the mandolin.<\/td>\n<td><a href=\"http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf\" target=\"_blank\">http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf<\/a><\/td>\n<\/tr>\n<tr>\n<td>Sughiyama, Haruo (Japan)<\/td>\n<td align=\"right\">1923<\/td>\n<td>Sughiyama, Haruo (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Tanaka, Tsunehiko (Japan)<\/td>\n<td align=\"right\">1925<\/td>\n<td>Tanaka, Tsunehiko (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Yuhara, Gennichi (Japan)<\/td>\n<td align=\"right\">1925<\/td>\n<td>Yuhara, Gennichi (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Sugahara, Minoru (Japan)<\/td>\n<td align=\"right\">1925<\/td>\n<td>Sugahara, Minoru (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Carl L\u00fcckmann &amp; S\u00f6hne &#8211; Weimarer<br \/>\nMandolinenschule<\/td>\n<td align=\"right\">1925<\/td>\n<td>Motto:Musik erfreut, bildet, versch\u00f6nert das Leben.Der lieben Jugend gewidmetKleine Elementar Lehre der MusikWeimarer MandolinenschulevonCarl L\u00fcckmann &amp; S\u00f6hneVerlag von Friedrich Ahrens, Hamburg III<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Tokita, Haruo (Japan)<\/td>\n<td align=\"right\">1926<\/td>\n<td>Tokita, Haruo (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Tamura, Hidezo (Japan)<\/td>\n<td align=\"right\">1926<\/td>\n<td>Tamura, Hidezo (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Franklin Eaton &#8211; UTD Method for the Mandolin<\/td>\n<td align=\"right\">1926<\/td>\n<td>Franklin EatonImproved Edition with Diagrams and ChordsUTD (Up To Date) Method for the MandolinA Complete and Easily Understood Instructor by Franklin EatonThe John Church CompanyTheodore Presser Co, Distributors1712 Chestnut StreetPhiladelphia<\/p>\n<p>(from ebay)<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mizuguchi, Yukimaro (Japan)<\/td>\n<td align=\"right\">1927<\/td>\n<td>Mizuguchi, Yukimaro (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Josef Kurz; Wie lerne ich selbst Mandoline spielen<\/td>\n<td align=\"right\">1927<\/td>\n<td>Josef KurzWie lerne ich selbst Mandoline spielen?Ein Leitfaden zum Selbstunterricht im MandolinspielDie neueste verbesserte Methode!Wiener Arion-Verlag, Franz Christ, Wien V, Sch\u00f6nbrunnerstr. 124,Copyright 1927 by Phoebus, Wien<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mario de Pietro &#8211; The First Step<\/td>\n<td align=\"right\">1928<\/td>\n<td>The first StepHow to play the MandolinebyMario de Pietrocopyright 1928 by Keith Prowse &amp; Co., Ltd.London, W.1.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Kurosawa, Takatomo (Japan)<\/td>\n<td align=\"right\">1929<\/td>\n<td>Kurosawa, Takatomo (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>A. Alberto; Kleine Mandolinen-Schule<\/td>\n<td align=\"right\">1929<\/td>\n<td>A. AlbertoKleine Mandolinen-Schuleauch zum Selbstunterricht geeignetRevidierte AusgabeVerlag D. Rather \/ HamburgCopyright 1929 by D. Rather, Hamburg<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hohmann &#8211; Zuth; Schule f\u00fcr die Mandoline<\/td>\n<td align=\"right\">1930<\/td>\n<td>Hohmann &#8211; ZuthSchule f\u00fcr die MandolineEdition Strache, Wien &#8211; Prag &#8211; LeipzigCopyright 1930<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Matsubara, Chikashi &amp; Asakawa, Keinosuke (Japan)<\/td>\n<td align=\"right\">1933<\/td>\n<td>Matsubara, Chikashi &amp; Asakawa, Keinosuke (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Takahashi, Isao (Japan)<\/td>\n<td align=\"right\">1933<\/td>\n<td>Takahashi, Isao (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Place, William Jr., The William Place Jr. Method<\/td>\n<td align=\"right\">1936<\/td>\n<td>Place, William Jr., The William Place Jr. Method for<br \/>\nthe Mandolin,New York: Mills Music Inc., 1936.Volume 3 of this method introduces duo style and also includes a few<br \/>\nsolos in the style.http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf<\/td>\n<td><a href=\"http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf\" target=\"_blank\">http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf<\/a><\/td>\n<\/tr>\n<tr>\n<td>The Modern Paramount Method for Mandolin<\/td>\n<td align=\"right\">1936<\/td>\n<td>The Modern Paramount Method for Mandolin or<br \/>\nMandolin-BanjoA complete and easily understood method for students and teacherscontainingall the essential features of the modern style of playingWm. J. Smith Music Co., INC., 254 w 31 St. New York<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Heinrich Albert &#8211; Der junge Mandolinist<\/td>\n<td align=\"right\">1938<\/td>\n<td>Als ausgebildeter Geiger beherrschte Albert bald auch<br \/>\ndieses<br \/>\nInstrument. Er kam 1805 zum M\u00fcnchener Kaim-Orchester und gab nebenbei<br \/>\nMandolinen- und Gitarrenunterricht. Albert verlegte seine Kompositionen<br \/>\n(ua. \u201e10 Compositions Favories pour Mandolin\u201c) \u00fcber den<br \/>\nMusikalienh\u00e4ndler Schmidl aus Triest, welches damals noch zu \u00d6sterreich<br \/>\ngeh\u00f6rte. Albert d\u00fcrfte \u00fcber Schmidl Kontakte zu einigen Triester<br \/>\nMandolinen- und Gitarrespielern, wie Silvio Negri (1865-1936) und<br \/>\nGiovanni Battista Marzutti (1863-1943) erhalten haben, welche ebenfalls<br \/>\nMandolinenquartette komponierten.Sp\u00e4ter gab Albert die \u201eNeue<br \/>\nMandolinenschule &#8211; Leichte \u2013 mittelschwere romantische Duos f\u00fcr<br \/>\nMandoline und Gitarre\u201c in Leipzig heraus und lobt das Klangbild des<br \/>\nQuartetts: \u201eDas vollkommenste ist eigentlich ein Quartett, bestehend<br \/>\naus Mandoline I, Mandoline II, Mandola und Gitarre\u201c. Albert gr\u00fcndete<br \/>\n1898 mit seinen Sch\u00fclern ein Mandolinenensemble mit zirka 20<br \/>\nMitgliedern, das \u201eCircolo Mandolinistico lombardo di Monaco\u201c. Ab 1900<br \/>\nwurde Albert auch f\u00fcr die Ausf\u00fchrung der anfallenden Mandolinen- und<br \/>\nGitarrenteile am M\u00fcnchner Hof- und Residenz-Theater herangezogen.1912<br \/>\nerschien Alberts erstes Lehrwerk f\u00fcr Mandoline, die \u201eNeue<br \/>\nMandolinenschule\u201c mit dem Vermerk \u201eF\u00fcr den Selbstunterricht besonders<br \/>\ngeeignet\u201c. In M\u00fcnchen galt Heinrich Albert als der kompetente Fachmann<br \/>\nf\u00fcr die Mandoline.Nach dem Ende des Ersten Weltkrieges begann<br \/>\ner,ab 1919 seine Werke im Verlag Julius Heinrich Zimmermann zu<br \/>\nver\u00f6ffentlichen. Es befanden sich darunter auch zwei Hefte mit dem<br \/>\nTitel \u201eMandolinen-Orchester, Unterhaltungsst\u00fccke in leichter Spielart\u201c.<br \/>\nDas letzte Werk Alberts f\u00fcr die Mandoline d\u00fcrfte die 1938 erschienene<br \/>\nSchule \u201eDer junge Mandolinist\u201c eine \u201eElementarschule f\u00fcr den ersten<br \/>\nAnfang\u201c gewesen sein. Es war dies das erste Lehrwerk, welches sich<br \/>\ngezielt an junge Sch\u00fcler richtet.<\/td>\n<td><a href=\"http:\/\/www.mandolinen.at\/index.php?id=128\" target=\"_blank\">http:\/\/www.mandolinen.at\/index.php?id=128<\/a><\/td>\n<\/tr>\n<tr>\n<td>Nick Manoloff&#8217;s Mandolin Method book 1938<\/td>\n<td align=\"right\">1938<\/td>\n<td>Nick Manoloff&#8217;s Mandolin Method book 1938M.M.Cole Publishing Company, ChicagoPrice One Dollar<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Nakaghiri, Tomohiko (Japan)<\/td>\n<td align=\"right\">1939<\/td>\n<td>Nakaghiri, Tomohiko (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Konrad W\u00f6lki; Das Studienwerk f\u00fcr Mandoline<\/td>\n<td align=\"right\">1940<\/td>\n<td>Konrad W\u00f6lkiDas Studienwerk f\u00fcr MandolineVerlag Hans Ragotzky, Berlin; 19403 Hefte; Ich besitze nur die Hefte 1 und 3.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Sasaki, Masao (Japan)<\/td>\n<td align=\"right\">1941<\/td>\n<td>Sasaki, Masao (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Ooka, Nobuo (Japan)<\/td>\n<td align=\"right\">1942<\/td>\n<td>Ooka, Nobuo (Japan)1942 \/1954<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Konrad W\u00f6lki; Deutsche Schule f\u00fcr Mandoline<\/td>\n<td align=\"right\">1942<\/td>\n<td>Konrad W\u00f6lkiDeutsche Schule f\u00fcr MandolineVerlag Hans Ragotzky, Berlin; 19423 Hefte<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Ohkuni, Nobumitsu (Japan)<\/td>\n<td align=\"right\">1943<\/td>\n<td>Ohkuni, Nobumitsu (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Kok. Joh. B.; De Nieuwe Mandoline-School<\/td>\n<td align=\"right\">1946<\/td>\n<td>Joh. B. KokDe Nieuwe Mandoline-SchoolVolledige, moderne methodebevattende o.m.236 melodische- en technische oefeningen,voordrachtstukken en duettenMuziekuitgeverij IXIJZET &#8211; Amsterdam100 pages<\/p>\n<p>from mandolinmoments.com: &#8220;<\/p>\n<p>During<br \/>\nthe years 1940-1945 Johan b. Kok wrote a new mandolin tutor known as:<br \/>\n\u00b4De nieuwe mandoline-school\u00b4. This 100-page volume was published (\u00b1<br \/>\n1946) by the XYZ Publishing House in Apeldoorn (the Netherlands) and<br \/>\nhad because of its popularity, several reprints. It is still to be<br \/>\nfound for sale at music shops in the Netherlands.&#8220;<\/td>\n<td><a href=\"http:\/\/mandolinmoments.com\/index.php?page=johanbkok\" target=\"_blank\">http:\/\/mandolinmoments.com\/index.php?page=johanbkok<\/a><\/td>\n<\/tr>\n<tr>\n<td>Akif Saydam &amp; Saip Eg\u00fcz &#8211; Yeni Mandolin Metodu<\/td>\n<td align=\"right\">1950<\/td>\n<td>Akif Saydam und Saip Eg\u00fczYeni Mandolin Metodu, Band I (von 4 B\u00e4nden)Vorwort datiert 1950, Ausgabe von 1978turkishpreface dated 1950, my copy published in 1978Dogus Ltd. Sti. Matbaasi &#8211; ANKARA<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Yoshidaya, Kenji (Japan)<\/td>\n<td align=\"right\">1952<\/td>\n<td>Yoshidaya, Kenji (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Repke, Erich &#8211; Weimarer Methodik f\u00fcr Mandoline<\/td>\n<td align=\"right\">1952<\/td>\n<td>Repke, Erich &#8211; Weimarer Methodik f\u00fcr Mandoline<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Miti, Tomoaki (Japan)<\/td>\n<td align=\"right\">1954<\/td>\n<td>Miti, Tomoaki (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Repke, Erich &#8211; Weimarer Schule f\u00fcr Mandoline<\/td>\n<td align=\"right\">1954<\/td>\n<td>Repke, Erich &#8211; Weimarer Schule f\u00fcr MandolineDer Abw\u00e4rtsschlagseehttp:\/\/www.mandoline.de\/artikel\/mandoline_in_der_ddr.pdf<\/td>\n<td><a href=\"http:\/\/www.mandoline.de\/artikel\/mandoline_in_der_ddr.pdf\" target=\"_blank\">http:\/\/www.mandoline.de\/artikel\/mandoline_in_der_ddr.pdf<\/a><\/td>\n<\/tr>\n<tr>\n<td>Ikegaya, Ichiro (Japan)<\/td>\n<td align=\"right\">1955<\/td>\n<td>Ikegaya, Ichiro (Japan)<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Odell Method for the Mandolin -1 &#8211; (Japan)<\/td>\n<td align=\"right\">1956<\/td>\n<td>Odell Method for the Mandolin (Japan)Part 1copyright 1956 by ZEN-ON Music Co. Ltd., Tokyo<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Gautiero, Raffaele &#8211; Metodo per Mandolino Napoleta<\/td>\n<td align=\"right\">1957<\/td>\n<td>Raffaele GautieroMetodo per Mandolino NapoletanoRevisione e aggiornamento di Bonifacio Bianchi Ricordi &#8211; MilanoCopyright 1957, Neudruck \/ reprint 1981<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Rossa, Ern\u00f6 &#8211; Mandoliniskola<\/td>\n<td align=\"right\">1957<\/td>\n<td>Ern\u00f6 RossaMandoliniskolaCopyright 1957 by Editio Musica,Budapest<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Keller, Ernst &#8211; Mandolinen Schule<\/td>\n<td align=\"right\">1957<\/td>\n<td>Ernst Keller Mandolinen SchuleEdition Dux &#8211; M\u00fcnchen 1957<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Hirayama, Eizaburo (Japan)<\/td>\n<td align=\"right\">1957<\/td>\n<td>Hirayama, Eizaburo (Japan)1957, 1959<\/td>\n<td><a href=\"http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html\" target=\"_blank\">http:\/\/www.mandoisland.de\/japan\/mandolin_in_japan.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Erwin Schwarz-Reiflingen (1891 &#8211; 1964)<\/td>\n<td align=\"right\">1957<\/td>\n<td>Erwin Schwarz-Reiflingen (1891 &#8211; 1964)Das Mandolinen 1x1Edition Sikorski Hamburg, 1957<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Odell Method for the Mandolin &#8211; 2 &#8211; (Japan)<\/td>\n<td align=\"right\">1959<\/td>\n<td>Odell Method for the Mandolin (Japan)Part 2copyright 1959 by ZEN-ON Music Co. Ltd., Tokyo<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Erich Repke und Hans Gerhard Arnold &#8211; Schule f\u00fcr M<\/td>\n<td align=\"right\">1962<\/td>\n<td>Erich Repke und Hans Gerhard Arnold &#8211; Schule f\u00fcr<br \/>\nMandolinein drei Heften1962\/1963<\/td>\n<td><a href=\"http:\/\/www.mandoline.de\/artikel\/mandoline_in_der_ddr.pdf\" target=\"_blank\">http:\/\/www.mandoline.de\/artikel\/mandoline_in_der_ddr.pdf<\/a><\/td>\n<\/tr>\n<tr>\n<td>Alfred Dittrich u. Walter Socha &#8211; Die Neue Mand.<\/td>\n<td align=\"right\">1962<\/td>\n<td>Alfred Dittrich u. Walter Socha &#8211; Die Neue<br \/>\nMandolinenschule1962 &#8211; 1964 &#8211; 5 volumes (only 4 volumes available)seehttp:\/\/www.mandoline.de\/artikel\/mandoline_in_der_ddr.pdf<\/td>\n<td><a href=\"http:\/\/www.mandoline.de\/artikel\/mandoline_in_der_ddr.pdf\" target=\"_blank\">http:\/\/www.mandoline.de\/artikel\/mandoline_in_der_ddr.pdf<\/a><\/td>\n<\/tr>\n<tr>\n<td>the Mel Bay mandolin method Volume 1<\/td>\n<td align=\"right\">1968<\/td>\n<td>the Mel Bay mandolin method Volume 1Mel Bay publications Inc.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>the Mel Bay mandolin method Volume 2<\/td>\n<td align=\"right\">1969<\/td>\n<td>the Mel Bay mandolin method Volume 2Mel Bay Publications, Inc.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>V. Marvet and U. Uiga MANDOLIINI\u00d6PIK<\/td>\n<td align=\"right\">1974<\/td>\n<td>1. MANDOLIINI\u00d6PIK by V. Marvet and U. Uiga.The edition? (Kirjastus) should be &#8222;EESTI RAAMAT&#8220; in Tallinn (Estonia),<br \/>\n1974.<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/forum\/showthread.php?68882-Mandolin-Method-Timeline\">mandolincafe<\/a><\/td>\n<\/tr>\n<tr>\n<td>S\u00e9guret, Christian; M\u00e9thode de Mandoline Bluegrass<\/td>\n<td align=\"right\">1977<\/td>\n<td>S\u00e9guret, Christian;M\u00e9thode de Mandoline BluegrassM\u00e9thode progressive: pour les d\u00e9butants et le perfectionnement;25 tablatures expliqu\u00e9escollection Music Expresschappell S. A.12, rue de Penthi\u00e8vre75008 Paris<\/p>\n<p>French bluegrass method with TABs<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Clausi, John &#8211; Quick &amp; Easy Method f. M.<\/td>\n<td align=\"right\">1978<\/td>\n<td>Quick &amp; Easy Method for Mandolinby John Clausicopyright 1978 by Columbia Pictures Publications21 pages&#8220;The<br \/>\nmandolin is one of the moste beautiful of all the string family. Yet,<br \/>\nit is rare to find someone who plays. This is because it is difficult<br \/>\nto find music for the beginner level. Now, here is a book that will<br \/>\nhave you sounding great tunes in minutes. You will learn chords,<br \/>\nstrums, and tuning and some of your favorite tunes. No previous<br \/>\nexperience or musical knowledge is required. What you learn can be<br \/>\napplied to any other music you want to learn in the future.&#8220;<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marga Wilden-H\u00fcsgen; Mandolinenschule<\/td>\n<td align=\"right\">1986<\/td>\n<td>Mandolinenschule. Schott, Mainz 1986. ISMN M-001-07603-6Wikipedia:<br \/>\n&#8222;Zur Weitervermittlung der wiederentdeckten Spieltechniken aus Barock<br \/>\nund Fr\u00fchklassik entwickelte sie ein instrumentalp\u00e4dagogisches<br \/>\nUnterrichtskonzept und verfasste eine eigene Mandolinenschule und ein<br \/>\nTechnik-Kompendium. Beide wurden zu Standardwerken in der modernen<br \/>\nMandolinenausbildung.&#8220;<\/td>\n<td><a href=\"http:\/\/de.wikipedia.org\/wiki\/Marga_Wilden-H%C3%BCsgen\" target=\"_blank\">http:\/\/de.wikipedia.org\/wiki\/Marga_Wilden-H%C3%BCsgen<\/a><\/td>\n<\/tr>\n<tr>\n<td>Seppo Sillanp\u00e4\u00e4 MANDOLIINIOPAS<\/td>\n<td align=\"right\">1990<\/td>\n<td>2. MANDOLIINIOPAS by Seppo Sillanp\u00e4\u00e4.<br \/>\nKansanmusiikki-instituutti, Kaustinen (Finland), 1990.Mandoliiniopas:<br \/>\nSopii sek\u00e4 vasta-alkajille ett\u00e4 pitemm\u00e4lle ehtineille &#8211; s\u00e4velmi\u00e4 voi<br \/>\nsoittaa kaikilla soittimilla. Kirja sis\u00e4lt\u00e4\u00e4 CD:n. (KIJ 32, 1990).Seppo Sillanp\u00e4\u00e4.104 sivua.see also:http:\/\/mandoliini.blogspot.com\/2009\/03\/seppo-sillanpaa-mandoliiniopas.html<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/forum\/showthread.php?68882-Mandolin-Method-Timeline\" target=\"_blank\">http:\/\/www.mandolincafe.com\/forum\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Halfmann, Hildegard &#8211; Spiele mit der Mandoline<\/td>\n<td align=\"right\">1994<\/td>\n<td>Hildegard Halfmann Spiele mit der MandolineVerlag Hubertus Nogatz, 1994<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mayor, Simon, The Mandolin Tutor<\/td>\n<td align=\"right\">1995<\/td>\n<td>Mayor, Simon,New Celtic Mandolin. Acoustics, UK 1998, 2001ders. The Mandolin Tutor. Acoustics, UK 1995, 2004<\/td>\n<td><a href=\"http:\/\/www.mandolin.co.uk\/\" target=\"_blank\">http:\/\/www.mandolin.co.uk\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Mayor, Simon, New Celtic Mandolin<\/td>\n<td align=\"right\">1998<\/td>\n<td>Mayor, Simon,New Celtic Mandolin. Acoustics, UK 1998, 2001ders. The Mandolin Tutor. Acoustics, UK 1995, 2004<\/td>\n<td><a href=\"http:\/\/www.mandolin.co.uk\/\" target=\"_blank\">http:\/\/www.mandolin.co.uk\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Christian Veith, Mandolinen Schule<\/td>\n<td align=\"right\">2002<\/td>\n<td>Christian Veith, Mandolinen SchuleSchell Music, 2002, mit CD<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Marshall, Evan J., Duo-Style A to Z<\/td>\n<td align=\"right\">2004<\/td>\n<td>Marshall, Evan J., Duo-Style A to Z: A Comprehensive<br \/>\nMethod for SoloMandolin in Duo-Style, from Entry Level to Artist Level, San Gabriel,<br \/>\nCA:Evan J. Marshall, 2004.Marshall\u2019s book is effective and pedagogically sound. The technique<br \/>\nthat he describes (and thathe, himself uses) is a bit different than the \u201cclassic duo style\u201d of<br \/>\nthe early 20th century playersbut quite impressive (at least in his hands). A bonus is the CD that<br \/>\ndemonstrates the exercisesand compositions.Of interest to some: Marshall\u2019s is the only book on this list that<br \/>\nincludes tablature (along withstandard notation). Serious players in duo style, or many other styles<br \/>\nfor that matter, shouldlearn to read notation. It simply isn\u2019t that hard and the benefits far<br \/>\noutweigh the frustrations.<\/td>\n<td><a href=\"http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf\" target=\"_blank\">http:\/\/www.singingstring.org\/PDF\/DuoStyleMandolin.pdf<\/a><\/td>\n<\/tr>\n<tr>\n<td>Osamu Fujita (JAPAN)<\/td>\n<td align=\"right\">2005<\/td>\n<td>\u56f3\u3067\u89e3\u308b\u6b63\u3057\u3044\u30de\u30f3\u30c9\u30ea\u30f3\u306e\u5f3e\u304d\u65b9 \u85e4\u7530\u3000\u4fee\/Osamu Fujita,JAPAN \u3231\u5168\u97f3\u697d\u8b5c\u51fa\u7248\u793e 2005<\/td>\n<td><a href=\"http:\/\/homepage2.nifty.com\/motoi-lab\/textbook.html\" target=\"_blank\">http:\/\/homepage2.nifty.com\/motoi-lab\/textbook.html<\/a><\/td>\n<\/tr>\n<tr>\n<td>Delgrosso, Rich; Hal Leonard Mandolin Method<\/td>\n<td align=\"right\">2005<\/td>\n<td>Delgrosso, Rich;Hal Leonard Mandolin Methodsecond EditionText on back cover:The<br \/>\nHal Leonard Mandolin Method &#8211; Second Edition is the newly updated and<br \/>\nrevised version of the original classic method by Rich DelGrosso.This comprehensive and easy-to-use beginner&#8217;s guide includes many fun<br \/>\nsongs of different styles to learn and play.<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>Mike Marshall &#8211; The Great Book of Finger Busters<\/td>\n<td align=\"right\">2005<\/td>\n<td>Adventure Publishing announces the release of five<br \/>\nindividual<br \/>\nMethod Books for mandolin authored by mandolin legend Mike Marshall.One<br \/>\nof the world&#8217;s most accomplished and versatile acoustic musicians, Mike<br \/>\nis able to swing gracefully from jazz to classical to bluegrass to<br \/>\nLatin styles.Throughout his career, Mike has performed and<br \/>\nrecorded with some of the top acoustic string instrumentalists in the<br \/>\nworld, including jazz violinist Stephane Grappelli, fiddle virtuoso<br \/>\nMark O&#8217;Connor, five-string banjo phenom Bela Fleck, bassist and<br \/>\nMacArthur Fellowship winner Edgar Meyer, and classical violinist Joshua<br \/>\nBell.Titles of the Marshall&#8217;s Mandolin Methods are as follows:- The Great Book of Finger Busters (standard notation and tablature).- Improvisational Concepts (standard notation)- The Chord Book- Sonatas and Partitas for Unaccompanied Violin by J.S. Bach (standard<br \/>\nnotation and tablature)- Brazilian Choros (standard notation only)<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/news\/publish\/mandolins_00170.shtml\" target=\"_blank\">http:\/\/www.mandolincafe.com\/news\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Fabio Menditto &#8211; La moderna scuola del mandolino<\/td>\n<td align=\"right\">2006<\/td>\n<td>La moderna scuola del mandolino (parte prima) con cdattraverso il metodo e i 6 duetti per due mandolinidi Giovan Battista Gervasio (1767)(in italiano, francese ed inglese)The modern school of mandolin (first part) with cdthrough the method and the 6 duets for two mandolinsof Giovan Battista Gervasio (1767)(in Italian, French and English)<\/p>\n<p>Le moderne \u00e9cole de mandoline (1er part) avec cd<\/p>\n<p>par le m\u00e9thode et le sis duetti pour deux mandolines<\/p>\n<p>du Giovan Gattista Gervasio (1767)<\/p>\n<p>(in italien, fran\u00e7ais et anglais)<\/p>\n<p>ISMN M-705027-01-3Edzioni Musicali QBForme, 2006<\/p>\n<p>Info<\/p>\n<p>edizioniqb @ qbforme.com<\/p>\n<p>\u20ac 20,00 + spese di spedizione<\/p>\n<p>\u20ac 20,00 + expedition charges<\/p>\n<p>\u20ac 20,00 + co\u00fbte de envoi<\/td>\n<td><a href=\"http:\/\/www.federmandolino.it\/metodi.htm\" target=\"_blank\">http:\/\/www.federmandolino.it\/metodi.htm<\/a><\/td>\n<\/tr>\n<tr>\n<td>Hosanne Collet &#8211; M\u00e9thode de mandoline<\/td>\n<td align=\"right\">2006<\/td>\n<td>M\u00e9thode de mandolinePremier cycleHosanne Collet(couverture M\u00e9thode de mandoline)M\u00c9THODEsommaireLIVREISBN 978-2-9528924-0-7<\/p>\n<p>150 pages<\/p>\n<p>paru en octobre 2006<\/p>\n<p>Destin\u00e9e<br \/>\naux \u00e9l\u00e8ves de premier cycle (premi\u00e8re \u00e0 quatri\u00e8me ann\u00e9e), cette m\u00e9thode<br \/>\nde mandoline souhaite permettre l\u2019enfant de vivre la musique \u00ab sans<br \/>\njamais s\u00e9parer l\u2019entra\u00eenement technique du jeu musical et artistique \u00bb.<br \/>\nElle lie \u00e9troitement la formation instrumentale \u00e0 la formation musicale.<\/p>\n<p>Aux<br \/>\nd\u00e9tours d\u2019attrayantes illustrations et de dessins techniques pr\u00e9cis,<br \/>\ncette m\u00e9thode propose un r\u00e9pertoire vari\u00e9, des jeux musicaux, des<br \/>\nexercices quotidiens, des conseils, tout en laissant une place \u00e0<br \/>\nl\u2019improvisation et \u00e0 la prise d\u2019autonomie de l\u2019\u00e9l\u00e8ve.<\/td>\n<td><a href=\"http:\/\/www.symetrie.com\/fr\/distribution\/color-et-talea\/hosanne.collet\/methode-de-mandoline\" target=\"_blank\">http:\/\/www.symetrie.com\/fr\/<\/a><\/td>\n<\/tr>\n<tr>\n<td>Claude Sirois &#8211; M\u00e9thode de mandoline<\/td>\n<td align=\"right\">2008<\/td>\n<td>Claude Sirois est n\u00e9 \u00e0 Montr\u00e9alQu\u00e9bec(Canada) en 1949<br \/>\net r\u00e9side \u00e0<br \/>\nDuvernay depuis 1959. Il a eu sa premi\u00e8re guitare \u00e0 l\u2019\u00e2ge de 5 ans et a<br \/>\nfait ses \u00e9tudes et ses d\u00e9buts sur sc\u00e8ne dans les \u00e9coles de Laval. Au<br \/>\ncours de ses \u00e9tudes Claude a particip\u00e9 intensivement \u00e0 de nombreuses<br \/>\nactivit\u00e9s musicales.F\u00e9vrier 2008 c&#8217;est une M\u00e9thode de mandoline que le guitariste publie<br \/>\navec Promo Son.<\/td>\n<td><a href=\"http:\/\/fr.wikipedia.org\/wiki\/Claude_Sirois\" target=\"_blank\">http:\/\/fr.wikipedia.org\/wiki\/Claude_Sirois<\/a><\/td>\n<\/tr>\n<tr>\n<td>Marilynn Mair &#8211; The Complete Mandolinist<\/td>\n<td align=\"right\">2008<\/td>\n<td>Pacific, Mo. \u2014 Mel Bay Publications, Inc. announces a<br \/>\nnew mandolin method entitled The Complete Mandolinist, by Marilynn Mair.The publisher notes state this is the most comprehensive American<br \/>\nmandolin method to be published in nearly a century.Starting<br \/>\nwith a foundation in basic technique and music reading, the book<br \/>\nprogresses in the course of its 224 pages through scales, arpeggios,<br \/>\ntremolo, position work, shifting, rhythm studies, picking techniques<br \/>\nand duo-style, with carefully selected exercises and musical examples<br \/>\nthat range from fiddle tunes and Brazilian choro to Vivaldi concertos<br \/>\nand Beethoven sonatinas.Written by Marilyn Mair,<br \/>\ninternationally acclaimed mandolinist, recording artist and teacher for<br \/>\nover two decades, this book presents a logical approach to mandolin<br \/>\ntechnique that builds on the pioneering efforts of America&#8217;s mandolin<br \/>\nteachers of the early 20th century.<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/news\/publish\/mandolins_00758.shtml\" target=\"_blank\">http:\/\/www.mandolincafe.com\/news<\/a><\/td>\n<\/tr>\n<tr>\n<td>Bernard Bouillon &#8211; M\u00e9thode de Mandoline.<\/td>\n<td align=\"right\">2010<\/td>\n<td>Apr\u00e8s une m\u00e9thode de guitare, voici une m\u00e9thode de<br \/>\nmandoline.J&#8217;ai<br \/>\nd\u00e9couvert l&#8217;instrument il y a bien longtemps avec Laurent Vercambre,<br \/>\nj&#8217;ai ensuite effectu\u00e9 des stages avec les fran\u00e7ais Mick Larie, Pierre<br \/>\nBensusan, Christian S\u00e9guret, et les am\u00e9ricains David Grisman, Wendy<br \/>\nMiller. C&#8217;est devenu mon instrument principal, et il y a longtemps<br \/>\nqu&#8217;une m\u00e9thode me trotte dans la t\u00eate.Objectif, \u00e0 peu pr\u00e8s r\u00e9alis\u00e9<br \/>\n: une pr\u00e9sentation de l&#8217;instrument avec photos, des conseils d&#8217;achat et<br \/>\nd&#8217;entretien ; des tableaux d&#8217;accords ; des conseils pour jouer bien<br \/>\navec un joli son. Puis des exercices d&#8217;entra\u00eenement progressif, et des<br \/>\ns\u00e9ries de tablatures de folk et de bluegrass, en PDF, avec le son en<br \/>\nMIDI.Je n&#8217;exclus pas d&#8217;y ajouter un jour des enregistrements, audio (mp3),<br \/>\nvoire vid\u00e9o (flv).Comme<br \/>\npour la guitare, je propose cette m\u00e9thode en freeware. Et avec les<br \/>\nm\u00eames restrictions d&#8217;usage (respectez mes droits d&#8217;auteur). Et un petit<br \/>\nmessage pour me dire que vous l&#8217;utilisez, \u00e7a me fera plaisir :free dwonload!<\/td>\n<td><a href=\"http:\/\/bbouillon.free.fr\/sandwich\/index.htm\" target=\"_blank\">http:\/\/bbouillon.free.fr\/sandwich\/index.htm<\/a><\/td>\n<\/tr>\n<tr>\n<td>Calace, Raffaele &#8211; Mandolin Method (Engl.)<\/td>\n<td align=\"right\">2011<\/td>\n<td>THE RAFFAELE CALACE METHOD FOR MANDOLIN &#8211; VOLUME I,<br \/>\nENGLISH EDITION<br \/>\npresented by Caterina Lichtenberg and Mike Marshall; translation,<br \/>\nediting and layout by Amy BurchamTHE RAFFAELE CALACE METHOD FOR<br \/>\nMANDOLIN &#8211; VOLUME II, ENGLISH EDITION presented by Caterina Lichtenberg<br \/>\nand Mike Marshall; translation, editing and layout by Amy BurchamRaffaele<br \/>\nCalace Method for Mandolin, the essential treatise from the master of<br \/>\nNeopolitan mandolin technique, is now made accessible to the<br \/>\nEnglish-speaking student&#8230;.German mandolin professor Caterina<br \/>\nLichtenberg and American mandolinist Mike Marshall celebrate the 100th<br \/>\nyear anniversary of Calace&#8217;s publication with this first English<br \/>\nEdition, presented in two volumes.<\/td>\n<td><a href=\"http:\/\/www.mandolincafe.com\/news\/publish\/mandolins_001316.shtml\" target=\"_blank\">http:\/\/www.mandolincafe.com\/news\/<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Amazon Tipp (Partnerlink)<\/p>\n<h2>Sharon Isbin-5 Classic Albums &#8211; Konzertgitarre<\/h2>\n<p><iframe loading=\"lazy\" style=\"width: 120px; height: 240px;\" src=\"\/\/ws-eu.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822&amp;OneJS=1&amp;Operation=GetAdHtml&amp;MarketPlace=DE&amp;source=ss&amp;ref=as_ss_li_til&amp;ad_type=product_link&amp;tracking_id=wwwmandoislan-21&amp;marketplace=amazon&amp;region=DE&amp;placement=B00LWI3PX8&amp;asins=B00LWI3PX8&amp;linkId=e0e56cde28cb84cc62ffaa9116520ff7&amp;show_border=true&amp;link_opens_in_new_window=true\" width=\"300\" height=\"150\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Da meine Timelin der Mandolinenschulen bei\u00a0 xtimeline im Moment nicht mehr funktioniert habe ich die Tabelle der exportierten Daten hier [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-9531","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/PI0aV-2tJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.gezupftes.de\/index.php?rest_route=\/wp\/v2\/pages\/9531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gezupftes.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gezupftes.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gezupftes.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gezupftes.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9531"}],"version-history":[{"count":17,"href":"https:\/\/www.gezupftes.de\/index.php?rest_route=\/wp\/v2\/pages\/9531\/revisions"}],"predecessor-version":[{"id":11425,"href":"https:\/\/www.gezupftes.de\/index.php?rest_route=\/wp\/v2\/pages\/9531\/revisions\/11425"}],"wp:attachment":[{"href":"https:\/\/www.gezupftes.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}