{"id":5353,"date":"2011-06-29T18:14:09","date_gmt":"2011-06-29T17:14:09","guid":{"rendered":"http:\/\/www.gezupftes.de\/?p=5353"},"modified":"2018-11-28T14:33:16","modified_gmt":"2018-11-28T13:33:16","slug":"newmusicbox-die-gitarre-in-den-usa-uber-das-spielen-und-komponieren","status":"publish","type":"post","link":"https:\/\/www.gezupftes.de\/?p=5353","title":{"rendered":"NewMusicBox &#8211; Die Gitarre in den USA &#8211; \u00dcber das Spielen und Komponieren"},"content":{"rendered":"<p>Vor einigen Wochen habe ich die <strong>NewMusicBox <\/strong>Homepage gefunden wo die Einf\u00fchrungsrede von <strong>John Adams<\/strong> ver\u00f6ffentlicht wurde:<\/p>\n<p><a href=\"http:\/\/www.newmusicbox.org\/articles\/juilliard-commencement-speech\/\" target=\"_blank\" rel=\"noopener\">Juilliard Commencement Speech of John Adams<\/a><\/p>\n<blockquote><p>NewMusicBox, a multimedia publication from the American Music Center, is dedicated to the music of American composers and improvisers and their champions. NewMusicBox offers: in-depth profiles, articles, and discussions; up-to-the-minute industry news and commentary; a direct portal to our internet radio station, Counterstream; and access to an online library of more than 57,000 works by more than 6,000 composers.<\/p>\n<p><em>NewMusicBox, eine Multimediapublikation des American Music Center, widmet sich der Musik amerikanischer Komponisten und Improvisateure und ihrer Champions. NewMusicBox bietet: fundierte Profile, Fachartikel, Diskussionen; aktuelle Neuigkeiten und Kommentare aus der Industrie; ein direktes Portal zu unserer Internet Radio Station; und Zugang zu einer Online-Bibliothek mit mehr als 57,000 Werken von mehr als 6000 Komponisten.<\/em><\/p><\/blockquote>\n<p>Beim st\u00f6bern auf dieser Homepage habe ich verschiedene Artikel gefunden die f\u00fcr Gitarristen interessant sind. Insbesondere m\u00f6chte ich eine Diskussionsrunde mit f\u00fcnf amerikanischen Gitarristen vorstellen, bei der es um das Erlernen der Gitarre und das Komponieren f\u00fcr Gitarre geht.<\/p>\n<p>Die komplette Transkription und kurze Filmausschnitte dieser Diskussionsrunde gibt es hier: <a href=\"https:\/\/nmbx.newmusicusa.org\/worth-fretting-over\/\" target=\"_blank\" rel=\"noopener\">Worth Fretting Over<\/a><\/p>\n<p>Die einzelnen Themen waren:<\/p>\n<ul>\n<li>Eine Ausbildung als Gitarrist bekommen<\/li>\n<li>Ein guter Zeitpunkt Gitarrist zu sein<\/li>\n<li>Acoustikgitarre gegen\u00fcber E-Gitarre<\/li>\n<li>Performer &#8211; Komponist<\/li>\n<li>arbeiten mit anderen Komponisten<\/li>\n<\/ul>\n<p>Teilnehmer waren die Gitarristen: James Emery, Dominic Frasca, Stephen Griesgraber, David Leisner, David Starobin, Mark Stewart<\/p>\n<p>Ich habe zwei kurze und interessante Ausschnitte aus dieser Diskussionsrunde ausgew\u00e4hlt:<\/p>\n<p>DAVID STAROBIN \u00fcber seinen Unterricht bei Bernard Goldschmidt:<\/p>\n<blockquote><p>That\u2019s really a coincidence, I also had a teacher in the Cleveland Orchestra\u2014the principal second violinist Bernard Goldschmidt used to give me lessons one summer when I was thirteen at the Allegany Music Festival. I remember him because I played the Villa Lobos Third Prelude. In the middle section there is a very sort of typical rubato that guitarists have always adopted. It\u2019s very dumb rubato that basically feels good on the instrument. He couldn\u2019t understand this. He said, \u201cWhat are you doing that for?\u201d And I said, \u201cWell, you know, my hands just do it.\u201d [everyone laughs] So he really nailed me. It was great for a thirteen-year-old kid to learn a really great lesson in phrasing because, you know, I have to think about why this note goes to the other note. It was one of the first times that I really found a musician who said think about what you\u2019re doing, don\u2019t just play it because you heard it that way.<\/p>\n<p><em>Das ist wirklich eine \u00dcbereinstimmung, ich hatte auch einen Lehrer aus dem Cleveland Orchester &#8211; der Stimmf\u00fchrer der zweiten Violinen Bernard Goldschmidt gab mir im Sommer als ich 13 Jahre alt war Unterricht beim Allegany Musik Festival. Ich erinnere mich daran weil ich das 3. Prelude von Villa-Lobos gespielt habe. Im Mittelteil gibt es eine typische Art von speziellem Rubato das Gitarristen immer so gespielt haben. Es ist ein ziemlich dummes Rubato das sich einfach gut auf dem Instrument anf\u00fchlt. Er konnte das nicht verstehen. Er sagte: Warum machst du das?&#8220; Und ich sagte, &#8222;Nun, weisst du, meine H\u00e4nde machen es einfach so.&#8220; [alle lachen] Damit hat er mich richtig \u00fcberzeugt. Ich war ein dreizehnj\u00e4hriger Junge der eine tolle Lektion \u00fcber das phrasieren gelernt hat, wisst ihr, ich muss dar\u00fcber nachdenken warum diese Note zu der anderen Note hinf\u00fchrt. Es war eines der ersten Male dass ich wirklich einen Musiker fand der sagte: denke dar\u00fcber nach, was du tust, spiele es nicht einfach so, weil du es so geh\u00f6rt hast.<\/em><\/p><\/blockquote>\n<h4>Playlist mit einigen Versionen des\u00a0 3. Prelude f\u00fcr Gitarre von Heitor Villa-Lobos<\/h4>\n<div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"John Williams : Hector Villa-Lobos - Prelude no.3\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/_JmAMqpzK8k?list=PLAFFDC762AAA7B108\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>Ein zweiter interessanter Ausschnitt von <strong>David Leisner<\/strong> \u00fcber das Spielen im Ensemble.<\/p>\n<blockquote><p>DAVID LEISNER: Which is really why it\u2019s up to the educators to bring more and more chamber music into the education of guitarists. I think it\u2019s absolutely essential. It also happens to help the solo playing tremendously. You improve your rhythm, you improve your awareness, all kinds of things. We don\u2019t play with orchestras, we certainly haven\u2019t played much chamber music until recent times, so guitarists are stuck in a little corner with their terrible habits and if they play any chamber music at all it tends to be guitar ensemble\u2014you know, where they put together other guitarists with equally horrid habits, and they\u2019re not forced out in to the big world of music with the fiddle players, and the cello players, and the wind players, and the singers, and that\u2019s what really expands a guitarist\u2019s horizon. The more that that\u2019s done the less that this sort of thing that we\u2019re talking about will happen.<\/p>\n<p><em>David Leisner: Deshalb ist es die Aufgabe der Lehrer mehr und mehr Kammermusik in die Ausbildung der Gitarristen zu bringen. Ich denke das ist absolut grundlegend. Es hilft ebenfalls ausserordentlich um das Solo-Spiel zu verbessern. Du verbesserst deinen Rhythmus, du verbesserst die Aufmerksamkeit, und noch viel mehr. Wir spielen nicht mit Orchstern, und wir haben sicher nicht viel Kammermusik gespielt bis vor kurzem, deshalb sind die Gitarristen mit ihren schrecklichen Angewohnheiten in ihrer Ecke eingesperrt, und wenn sie irgendwelche Kammermusik spielen dann sind es Gitarrenensembles &#8211; wisst ihr, wo man sie mit anderen Gitarristen mit denselben schrecklichen Angewohnheiten zusammenbringt, und sie nicht gezwungen sind sich in die Welt der Geigenspieler, Cellospieler, Bl\u00e4ser und S\u00e4nger zu begeben, und das ist es was wirklich den Horizont eines Gitarristen erweitert. Umso mehr das gemacht wird, umso weniger wird diese Sache \u00fcber die wir gerade reden passieren.<\/em><\/p><\/blockquote>\n<p>Hier eine Komposition von David Leisner f\u00fcr Fl\u00f6te und Gitarre, diese Komposition von 1982 geh\u00f6rt inzwischen zum Standardrepertoir.<\/p>\n<h4>Playlist David Leisner &#8211; Dances in the Madhouse for Flute and Guitar<\/h4>\n<blockquote><p>From David Leisners homepage about this composition for flute and guitar:<br \/>\nDances in the Madhouse (12\u2019) for violin\/flute and guitar, 1982 &#8211; now considered a classic of the repertoire, a dance suite with Tango Solitaire, Waltz for the Old Folks, Ballad for the Lonely and Samba!, inspired by a lithograph by early 20th-century American George Bellows, depicting a social dance in an insane asylum &#8211; Merion Music\/Theodore Presser Co.<\/p><\/blockquote>\n<div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Dances in the Madhouse, Tango Solitaire, by David Leisner\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/FlRtp0mCuLk?list=PL2D0F4A29F1E748FE\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h4>Weitere Informationen<\/h4>\n<p>Homepage <strong>James Emery<\/strong>: <a href=\"http:\/\/www.james-emery.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.james-emery.com\/<\/a><\/p>\n<p>Wikipedia <strong>\u00fcber Dominic Frasca<\/strong>: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Dominic_Frasca\" target=\"_blank\" rel=\"noopener\">http:\/\/en.wikipedia.org\/wiki\/Dominic_Frasca<\/a><\/p>\n<p>Homepage <strong>Dominic Frasca<\/strong>: <a href=\"http:\/\/www.dominicfrasca.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.dominicfrasca.com\/<\/a><\/p>\n<p>Homepage <strong>David Leisner<\/strong>: <a href=\"http:\/\/www.davidleisner.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.davidleisner.com\/<\/a><\/p>\n<p>Wikipedia <strong>\u00fcber David Starobin<\/strong>: <a href=\"http:\/\/en.wikipedia.org\/wiki\/David_Starobin\" target=\"_blank\" rel=\"noopener\">http:\/\/en.wikipedia.org\/wiki\/David_Starobin<\/a><\/p>\n<p>Wikipedia <strong>\u00fcber Mark Stewart<\/strong>: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Mark_Stewart_%28guitarist%29\" target=\"_blank\" rel=\"noopener\">http:\/\/en.wikipedia.org\/wiki\/Mark_Stewart_%28guitarist%29<\/a><\/p>\n<p>Weitere Gitarren-Artikel bei NewMusicBox: <a href=\"http:\/\/www.newmusicbox.org\/?s=guitar\" target=\"_blank\" rel=\"noopener\">http:\/\/www.newmusicbox.org\/?s=guitar<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vor einigen Wochen habe ich die NewMusicBox Homepage gefunden wo die Einf\u00fchrungsrede von John Adams ver\u00f6ffentlicht wurde: Juilliard Commencement Speech [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15121,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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